SELECTED GROUP EXHIBITION CATALOGUES

The bibliography listed below represents a selection of group exhibition catalogues that reference or reproduce Hofmann’s works. 

1908

Katalog der fünfzehnten Ausstellung der Berliner Secession, Berlin 1908 (text in German). Berlin: Paul Cassirer, 1908.

1909

Katalog der achtzehnten Ausstellung der Berliner Secession, Berlin 1909 (text in German). Berlin: Paul Cassirer, 1909.

1943

Fifty Years on 57th Street: On the Occasion of the Fiftieth Year of the Art Students League of New York and the American Fine Arts Society in Their Present Quarters the Art Students League Presents an Exhibition of Distinguished Artists Who, as Students, or Instructors Have Been Associated with It during Sixty-Eight Years. New York: Art Students League of New York, 1943.

1944

Abstract and Surrealist Art in America: Fifty Paintings by Outstanding Artists. New York: Mortimer Brandt Gallery, 1944 [exh. brochure].

Abstract and Surrealist Art in the United States. Introduction by Sidney Janis. San Francisco: San Francisco Museum of Art, 1944.

40 American Moderns. New York: 67 Gallery, 1944 [exh. brochure].

1945

Contemporary American Painting. [San Francisco: California Palace of the Legion of Honor, 1945].

1945 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1945.

1946

Eighty New Paintings. Buffalo, NY: Albright Art Gallery, [1946].

1947

The Ideographic Picture. Preface by B[arnett] B. Newman. New York: Betty Parsons Gallery, 1947 [exh. brochure].

1947 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1947.

2nd Annual Exhibition of Painting. Foreword by Thomas Carr Howe Jr.; introduction by Jermayne MacAgy. San Francisco: California Palace of the Legion of Honor, 1947.

The Third Invitation Exhibition. Foreword by Gabriel R. Mason. Brooklyn, NY: Lincoln Gallery, Abraham Lincoln High School, 1947 [exh. brochure].

Sweet, Frederick A., and Katharine Kuh. Abstract and Surrealist American Art: Fifty-Eighth Annual Exhibition of American Paintings and Sculpture. Foreword by Daniel Catton Rich. Chicago: The Art Institute of Chicago, 1947.

1948

Fourth Summer Exhibition of Contemporary Art. Foreword by Lester D. Longman. Iowa City: State University of Iowa, 1948 [exh. brochure].

New Accessions USA. Colorado Springs, CO: Colorado Springs Fine Arts Center, 1948.

1948 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1948.

Second 1948 Exhibition. Provincetown, MA: Provincetown Art Association, 1948.

Third Anniversary: An Exhibition of Modern French and American Painting and Sculpture to Celebrate Our Third Anniversary. New York: Kootz Gallery, 1948 [exh. brochure].

University of Illinois Competitive Exhibition of Contemporary American Painting. Introduction by Allen S. Weller. Urbana: University of Illinois Press, 1948.

Women: A Collaboration of Artists and Writers. Preface by Samuel M. Kootz; texts by Lewis Galantière, Paul Goodman, Clement Greenberg, Weldon Kees, Benjamin Péret, Harold Rosenberg, Jean-Paul Sartre, Barry Ulanov, Tennessee Williams, William Carlos Williams, Victor Wolfson; accompanying text to the artist’s work by Tennessee Williams, “An Appreciation.” New York: Samuel M. Kootz Editions, 1948. Published in conjunction with the exhibition organized by Kootz Gallery in 1947.

1949

First 1949 Exhibition. Provincetown, MA: Provincetown Art Association, 1949. 

The Intrasubjectives. Introduction by Harold Rosenberg and Samuel M. Kootz. New York: Kootz Gallery, 1949 [exh. brochure].

1949 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1949.

Second 1949 Exhibition. Provincetown, MA: Provincetown Art Association, 1949.

Weller, Allen S. University of Illinois Exhibition of Contemporary American Painting. Introduction by Rexford Newcomb. Urbana: University of Illinois Press, 1949.

1950

Black or White: Paintings by European and American Artists. Introduction by Robert Motherwell. New York: Kootz Gallery, 1950 [exh. brochure].

5th Biennial Purchase Exhibition: Contemporary American Painting. Minneapolis, MN: Walker Art Center, 1950 [exh. brochure].

First 1950 Exhibition. Provincetown, MA: Provincetown Art Association, 1950.

4th Annual Exhibition of Contemporary American Painting. Introduction by Jermayne MacAgy. San Francisco: California Palace of the Legion of Honor, 1950.

The Muralist and the Modern Architect. New York: Kootz Gallery, 1950.

Music in Painting. Introduction by John H. Kypers. Urbana: College of Fine and Applied Arts, University of Illinois [exh. brochure]. 

1950 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1950.

Post-abstract Painting 1950: France, America. Provincetown, MA: Provincetown Art Association, 1950 [exh. brochure].

Presenting Two Exhibitions: Contemporary Visual Arts; Postwar American Painting. Ann Arbor: University of Michigan, 1950 [exh. brochure].

37th Annual Exhibition: Contemporary American Paintings. Toledo, OH: Toledo Museum of Art, 1950 [exh. brochure].

University of Illinois Exhibition of Contemporary American Painting. Introduction by Rexford Newcomb; essay by Allen S. Weller. Urbana: University of Illinois Press, 1950.

Sweeney, James Johnson. American Painting, 1950. Richmond: Virginia Museum of Fine Arts, 1950.

1951

Exhibition of Paintings. Foreword by Alden F. Megrew. Boulder: University of Colorado, 1951.

First 1951 Exhibition. Provincetown, MA: Provincetown Art Association, 1951.

40 American Painters, 1940–1950 (includes artist’s statement). Preface by H.H. Arnason. Statement “The Object in the Visual Arts—Its Function in Three-Dimensional Reality and Its Two-Dimensional Pictorial Realization” by Hofmann, n.p. Minneapolis: University Gallery, University of Minnesota, 1951.

Nebraska Art Association Sixty-First Annual. Foreword by Duard W. Laging. Lincoln: Nebraska Art Association, 1951.

1951 Annual Exhibition of Contemporary American Painting. Foreword by Hermon More. New York: Whitney Museum of American Art, 1951.

The One Hundred Forty-Sixth Annual Exhibition of Painting and Sculpture. Foreword by Joseph T. Fraser Jr. Philadelphia: Pennsylvania Academy of the Fine Arts, 1951.

Resumé of the 1950–51 Season: Paintings and Sculpture by the Gallery’s Artists. New York: Kootz Gallery, 1951 [exh. brochure].

The School of New York. Preface by Robert Motherwell for the exhibition Seventeen Modern American Painters. Beverly Hills, CA: Frank Perls Gallery, 1951.

Second 1951 Exhibition. Provincetown, MA: Provincetown Art Association, 1951.

60th Annual American Exhibition: Paintings and Sculpture. Chicago: The Art Institute of Chicago, 1951.

Some Contemporary Painters. Buffalo, NY: Albright Art Gallery, 1951 [exh. brochure].

Summer Souvenirs. New York: Kootz Gallery, 1951 [exh. brochure].

Surréalisme + abstraction: choix de la collection Peggy Guggenheim/Surrealisme + abstractie: keuze uit de verzameling Peggy Guggenheim (text in French and Dutch). Amsterdam: Stedelijk Museum, 1951.

University of Illinois Exhibition of Contemporary American Painting (includes artist’s statement). Introduction by Allen S. Weller. Statement by Hofmann, pp. 187–88. Urbana: University of Illinois Press, 1951.

Ritchie, Andrew Carnduff. Abstract Painting and Sculpture in America. New York: The Museum of Modern Art, 1951.

1952

Contemporary American Painting and Sculpture: Collection of Mr. and Mrs. Roy R. Neuberger. Foreword by H.H. Arnason; introduction by Marie and Roy Neuberger. Minneapolis, MN: Walker Art Center, 1952.

Exhibition of Paintings. Foreword by Alden F. Megrew. Boulder: Fine Arts Gallery, University of Colorado, Boulder, 1952.

Expressionism in American Painting. Buffalo, NY: Albright Art Gallery, 1952.

5th Annual Exhibition of Contemporary American Painting. Foreword by Thomas Carr Howe Jr. San Francisco: California Palace of the Legion of Honor, 1952.

First 1952 Exhibition. Provincetown, MA: Provincetown Art Association, 1952.

French and American Paintings and Sculpture. New York: Kootz Gallery, 1952 [exh. brochure].

Loan Exhibition of Seventy XX Century American Paintings: Chosen by the Art Critics of Art Digest, Art News, Life, Magazine of Art, New York Herald Tribune, New York Times, Time. New York: Wildenstein, 1952 [exh. brochure].

New Accessions USA: The Fourth Biennial Exhibition of Contemporary American Paintings Acquired by Thirty-Three Major Art Museums of the United States for Their Permanent Collections. Colorado Springs, CO: Colorado Springs Fine Arts Center, 1952.

1952 Annual Exhibition of Contemporary American Painting. Foreword by Hermon More. New York: Whitney Museum of American Art, 1952.

The 1952 Pittsburgh International Exhibition of Contemporary Painting. Foreword by Gordon B. Washburn. Pittsburgh, PA: Department of Fine Arts, Carnegie Institute, 1952.

Regards sur la peinture américaine (text in French; includes artist’s statement). Paris: Galerie de France, 1952. Published in conjunction with the exhibition organized by Galerie de France and the Sidney Janis Gallery in 1951.

Second 1952 Exhibition. Provincetown, MA: Provincetown Art Association, 1952.

39th Annual Exhibition: Contemporary American Paintings. Toledo, OH: Toledo Museum of Art, 1952 [exh. brochure].

University of Illinois Exhibition of Contemporary American Painting (includes artist’s statement). Introduction by Allen S. Weller. Statement by Hofmann, pp. 199–200. Urbana: University of Illinois Press, 1952.

1953

Adolph Gottlieb, Robert Motherwell, William Baziotes, Hans Hofmann. Chicago: The Arts Club of Chicago, 1953 [exh. brochure].

Art in America: 20th Century. Great Neck, NY: Fine Arts Committee of the Great Neck Education Association, 1953.

Centennial Exhibition of 20th Century Art: University of Florida Centennial, 1853–1953. Gainesville: Department of Art, University of Florida, 1953 [exh. brochure].

The Classic Tradition in Contemporary Art. Introduction by H.H. Arnason. Minneapolis, MN: Walker Art Center, 1953.

Contemporary American Painting and Sculpture (includes artist’s statement). Introduction by Allen S. Weller. Urbana: University of Illinois Press, 1953.

Exhibition of Paintings. Boulder: Fine Arts Gallery, University of Colorado, 1953.

Fine Arts Festival. Manhattan, KS: Kansas State College, 1953 [exh. brochure]. First Biennial Exhibition: American Painting, Sculpture. Bloomfield Hills, MI: Museum of Cranbrook Academy of Art, 1953.

First 1953 Exhibition. Provincetown, MA: Provincetown Art Association, 1953.

Musical Themes. Winston-Salem, NC: Public Library, 1953 [exh. brochure]. Published in conjunction with the exhibition organized by The Museum of Modern Art in 1952.

1953 Annual Exhibition of Contemporary American Painting. Introduction by Hermon More. New York: Whitney Museum of American Art, 1953.

The One Hundred and Forty-Eighth Annual Exhibition of Painting and Sculpture. Philadelphia: Pennsylvania Academy of the Fine Arts, 1953.

Painting in the U.S.A., 1721–1953. Introduction by Arthur R. Millier. Pomona, CA: Los Angeles County Fair, 1953.

The Sea around Us. East Hampton, NY: Guild Hall, 1953 [exh. brochure].

Second Annual Exhibition of Painting and Sculpture. Introduction by Clement Greenberg. New York: Stable Gallery, 1953 [exh. brochure].

Second 1953 Exhibition. Provincetown, MA: Provincetown Art Association, 1953.

A Selection from 12 East Hampton Collections. Introduction by Gerald Sykes. East Hampton, NY: Guild Hall, 1953.

The Twenty-Third Biennial Exhibition of Contemporary American Oil Paintings. Washington, DC: Corcoran Gallery of Art, 1953.

1954

American Painting, 1954. Richmond: Virginia Museum of Fine Arts, 1954 [exh. brochure].

The Embellished Surface. South Hadley, MA: Mount Holyoke College, 1954 [exh. brochure]. Published in conjunction with the exhibition organized by The Museum of Modern Art in 1953.

First 1954 Exhibition. Provincetown, MA: Provincetown Art Association, 1954.

New Accessions USA: The Fifth Biennial Exhibition of Contemporary American Paintings Acquired by Thirty-Three Major Art Museums of the United States for Their Permanent Collections. Colorado Springs, CO: Colorado Springs Fine Arts Center, 1954. 

19th Annual Midyear Show. Youngstown, OH: Butler Institute of American Art, 1954. 

The One Hundred and Forty-Ninth Annual Exhibition of Painting and Sculpture. Philadelphia: Pennsylvania Academy of the Fine Arts, 1954.

Reality and Fantasy, 1900–1954. Introduction by H.H. Arnason. Minneapolis, MN: Walker Art Center, [1954].

Roy and Marie Neuberger Collection: Modern American Painting and Sculpture. New York: Whitney Museum of American Art, 1954.

Second 1954 Exhibition. Provincetown, MA: Provincetown Art Association, 1954.

61st American Exhibition: Paintings and Sculpture. Chicago: The Art Institute of Chicago, 1954.

38 Contemporary Painters. Cedar Falls: Iowa State Teachers College, 1954 [exh. brochure].

Variations: Three Centuries of Painting. Andover, MA: Addison Gallery of American Art, 1954.

1955

Annual Exhibition: Paintings, Sculpture, Watercolors, Drawings. Foreword by Hermon More. New York: Whitney Museum of American Art, 1955.

Art in the 20th Century: Commemorating the Tenth Anniversary of the Signing of the United Nations Charter. San Francisco: San Francisco Museum of Art, 1955.

Communicating Art from Midwest Collections: American and European Paintings and Sculpture, 1835–1955. Foreword by Dwight Kirsch. Des Moines, IA: Des Moines Art Center, 1955.

Contemporary American and European Paintings. Indianapolis, IN: John Herron Art Museum, 1955 [exh. brochure].

Contemporary American Painting and Sculpture (includes artist’s statement). Excerpts from “The Mystery of Creative Relations” (1954) by Hofmann, pp. 207–08. Urbana: University of Illinois Press, 1955.

A Decade of Modern Painting and Sculpture. New York: Kootz Gallery, 1955 [exh. brochure].

First 1955 Exhibition. Provincetown, MA: Provincetown Art Association, 1955.

1955 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1955.

Second 1955 Exhibition. Provincetown, MA: Provincetown Art Association, 1955.

Ten American Collectors. Houston: Contemporary Arts Association, 1955.

Ten Years. Introduction by Clement Greenberg. New York: Betty Parsons Gallery, 1955 [exh. brochure].

Two Hundred Years of American Painting. Introduction by Jerrold A. Morris and Doris Shadbolt. Vancouver, Canada: Vancouver Art Gallery, 1955.

Kolb, Eugene. Abstract and Surrealist Paintings. Tel Aviv, Israel: Tel Aviv Museum, 1955

1956

First 1956 Exhibition. Provincetown, MA: Provincetown Art Association, 1956.

Large Scale Paintings II. Houston: Contemporary Arts Association, 1956 [exh. brochure].

New Accessions USA. Colorado Springs, CO: Colorado Springs Fine Arts Center, 1956.

The One Hundred and Fifty-First Annual Exhibition of Painting and Sculpture. Philadelphia: Pennsylvania Academy of the Fine Arts, 1956.

Second 1956 Exhibition. Provincetown, MA: Provincetown Art Association, 1956.

Elliott, James Heyer, ed. Expressionism, 1900–1955. Foreword by H.H. Arnason; introduction by Sidney Simon. Minneapolis, MN: Walker Art Center, 1956.

1957

American Paintings, 1945–1957: 146 Pictures Representing Outstanding Achievement or Promise by American Artists of the Post-war Era. Minneapolis, MN: Minneapolis Institute of Arts, 1957.

Contemporary American Painting and Sculpture. Urbana: University of Illinois Press, 1957. 

Contemporary Art—Acquisitions 1954–1957. Buffalo, NY: Albright Art Gallery, 1957.

First 1957 Exhibition. Provincetown, MA: Provincetown Art Association, 1957.

1957 Annual Exhibition: Sculpture, Paintings, Watercolors. New York: Whitney Museum of American Art, 1957.

Second 1957 Exhibition. Provincetown, MA: Provincetown Art Association, 1957.

Twenty-Fifth Biennial Exhibition of Contemporary American Oil Paintings. Washington, DC: Corcoran Gallery of Art, 1957.

Passloff, Patricia, ed. The 30’s: Painting in New York. New York: Poindexter Gallery, 1957.

1958

Annual Exhibition: Sculpture, Paintings, Watercolors, Drawings. New York: Whitney Museum of American Art, 1958.

The Artists’ Vision: 1948–1958. East Hampton, NY: Signa Gallery, 1958 [exh. brochure].

Chrysler Art Museum of Provincetown Inaugural Exhibition. Provincetown, MA: Chrysler Art Museum of Provincetown, 1958.

Contemporary Art—Acquisitions 1957–1958. Buffalo, NY: The Buffalo Fine Arts Academy, Albright Art Gallery, 1958.

Inaugural Exhibition. Oklahoma City: Oklahoma Art Center, 1958.

An International Selection: Europe and Japan Chosen by Michel Tapié; The United States Chosen by the Signa Gallery. East Hampton, NY: Signa Gallery, 1958 [exh. brochure].

The Museum and Its Friends: Twentieth-Century American Art from Collections of the Friends of the Whitney Museum. Foreword by Flora Whitney Miller. New York: Whitney Museum of American Art, 1958.

Nine American Painters: The Fourth Annual Invitational Exhibition of the University of Utah Department of Art (includes artist’s statements). Salt Lake City: University of Utah, 1958.

The 1958 Pittsburgh Bicentennial International Exhibition of Contemporary Painting and Sculpture. Pittsburgh, PA: Department of Fine Arts, Carnegie Institute, 1958.

The One Hundred and Fifty-Third Annual Exhibition American Painting and Sculpture. Philadelphia: Pennsylvania Academy of the Fine Arts, 1958.

Second 1958 Exhibition. Provincetown, MA: Provincetown Art Association, 1958.

Two Centuries of American Painting. Cincinnati, OH: Cincinnati Art Museum, 1958 [exh. brochure].

Baur, John I.H. Nature in Abstraction: The Relation of Abstract Painting and Sculpture to Nature in Twentieth-Century American Art (includes artist’s statements). New York: Whitney Museum of American Art, 1958.

Rosenberg, Harold, and Thomas B. Hess. Action Painting. Dallas: Dallas Museum for Contemporary Arts, 1958.

1959

All about the Circus: Variations on a Theme by Artists of the Nineteenth and Twentieth Centuries. Foreword by James W. Foster Jr. [Santa Barbara, CA: Pacific Coast Pub. Co., 1959].

Coe College Fine Arts Festival, Cedar Rapids, IA: Coe College, 1959 [exh. brochure].

Contemporary American Painting and Sculpture (includes artist’s statement). Statement by Hofmann, pp. 226–27. Urbana: University of Illinois Press, 1959.

A Corporation Collects: A Selection of Paintings from the Abbott Laboratories Fine Art Collection. Essay by Emily Genauer. New York: American Federation of Arts, 1959.

1959 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1959.

The One Hundred and Fifty-Fifth Annual Exhibition American Painting and Sculpture/Second Biennial of American Painting and Sculpture. Philadelphia: Pennsylvania Academy of the Fine Arts, [1959].

Paintings, Drawings, Prints and Sculpture Collected and Owned by Fourteen Philadelphia Artists. Philadelphia: Pennsylvania Academy of the Fine Arts, 1959.

Paintings since 1945: A Collection in the Making. Introduction by Richard Brown Baker. Providence: Museum of Art, Rhode Island School of Design, 1959.

A Rationale for Modern Art. Essay by Alfred Frankenstein. New York: American Federation of Arts, 1959 [exh. brochure].

The Romantic Agony: From Goya to de Kooning. Houston: Contemporary Arts Museum, 1959.

63rd American Exhibition: Paintings, Sculpture. Chicago: The Art Institute of Chicago, 1959.

Ten Modern Masters of American Art: 30 Works Selected from the Joseph H. Hirshhorn Collection (includes artist’s statements). Introduction by John I.H. Baur. New York: American Federation of Arts, [1959].

10th Street. Houston: Contemporary Arts Association, 1959.

Trustees’ Choice: Painting and Sculpture from the Personal Collections of the Trustees of the American Federation of Arts. Foreword by Harris K. Prior. New York: World House Galleries, 1959.

Twenty-Sixth Biennial Exhibition of Contemporary American Painting. Washington, DC: Corcoran Gallery of Art, 1959.

II. Documenta ’59. Kunst nach 1945: Internationale Ausstellung; Malerei Skulptur Druckgrafik (text in German). Introduction by Werner Haftmann. Cologne: DuMont Schauberg, 1959.

Hayes, Barlett H. The American Line: 100 Years of Drawing. Andover, MA: Addison Gallery of American Art, Phillips Academy, 1959.

1960

American Art, 1910–1960: Selections from the Collection of Mr. and Mrs. Roy R. Neuberger. Foreword by Marie and Roy Neuberger; introduction by Harris K. Prior. New York: M. Knoedler & Co., 1960.

Art from Ingres to Pollock: Paintings and Sculpture since Neoclassicism. Berkeley: University of California, 1960.

Art Lending Service Retrospective, 1950–1960. Foreword by Harmon Goldstone. New York: Junior Council of The Museum of Modern Art, 1960.

Art Today Presents an Exhibition of Avant-Garde Paintings. Memphis, TN: Brooks Memorial Art Gallery, 1960 [exh. brochure].

Contemporary American Painting. Introduction by Tracy Atkinson. Columbus, OH: Columbus Gallery of Fine Arts, 1960.

Contemporary Americans Selected from the Richard Brown Baker Collection. Staten Island, NY: Staten Island Museum, 1960 [exh. brochure].

Main Currents of Contemporary American Painting: An Exhibition Contributing to the XXII Festival of the Arts. Iowa City: Department of Art, State University of Iowa, 1960.

Modern Masters in West Coast Collections: An Exhibition Selected in Celebration of the Twenty-Fifth Anniversary of the San Francisco Museum of Art, 1935–1960. San Francisco: San Francisco Museum of Art, 1960 [exh. brochure].

Neue Malerei: Form Struktur Bedeutung (text in German). Munich: Städtische Galerie München Lenbachpalais, 1960.

16 American and European Artists. New York: Kootz Gallery, 1960 [exh. brochure].

XXX Biennale, Venezia 1960. Stati Uniti d’America—Quattro artisti americani: Guston, Hofmann, Kline, Roszak (text in Italian and English). Foreword by Adelyn D. Breeskin; introduction by Kenneth B. Sawyer. Baltimore, MD: The Baltimore Museum of Art, 1960.

To Be Continued: An Exhibition of the Museum Collection, Now and in Prospect. Introduction by Douglas MacAgy. Dallas: Dallas Museum for Contemporary Arts, 1960.

25th Annual Midyear Show. Youngstown, OH: Butler Institute of American Art, 1960.

Works from Private Collections. Boston: Boston University Art Gallery, 1960 [exh. brochure].

Henning, Edward B. Paths of Abstract Art. Cleveland, OH: The Cleveland Museum of Art, 1960.

Miller, Nancy B., ed. 60 American Painters, 1960: Abstract Expressionist Painting of the Fifties. Minneapolis, MN: Walker Art Center, 1960.

1961

American Abstract Expressionists and Imagists. Foreword and introduction by H.H. Arnason. New York: Solomon R. Guggenheim Museum, 1961.

American Business and the Arts: An Exhibition Presented on the Occasion of the International Industrial Conference. San Francisco: San Francisco Museum of Art, 1961.

Annual Exhibition 1961: Contemporary American Painting. New York: Whitney Museum of American Art, 1961.

Art of the Twentieth Century Collected by James S. and Dorothy Schramm. Amherst, MA: Amherst College, 1961.

Da Boldini a Pollock: pittura e scultura del XX secolo; mostra della moda stile costume (text in Italian). Milan: Industrie Grafiche Nicola Moneta, 1961.

Centennial Exhibition. Oswego: State University of New York College of Education at Oswego, 1961 [exh. brochure].

Contemporary American Painting and Sculpture (includes artist’s statement). Urbana: University of Illinois Press, 1961.

Eighty Works from the Richard Brown Baker Collection. Minneapolis, MN: Walker Art Center, 1961.

Exhibition of Contemporary Artists Assembled in Tribute to the Barnett Aden Gallery. Washington, DC: Associated Artists’ Gallery, 1961.

First 1961 Exhibition. Provincetown, MA: Provincetown Art Association, 1961.

A Galaxy of Treasures from St. Louis Collections. Saint Louis, MO: Friends of the City Art Museum of Saint Louis, 1961.

Das Guggenheimmuseum, New York, zeigt amerikanische Maler der Gegenwart (text in German). Introduction by H.H. Arnason. [Salzburg, Austria: Zwerglgarten, 1961]. Published in conjunction with the exhibition organized for the United States Information Agency Fine Arts Section by the Guggenheim Museum.

100 Works from the Collections at the University of Nebraska. Omaha, NE: Joslyn Art Museum, 1961 [exh. brochure].

Paintings, Sculpture, Prints and Drawings Presented as Part of the Institute’s Centennial Celebration. Cambridge, MA: New Gallery, Charles Hayden Memorial Library, Massachusetts Institute of Technology, 1961 [exh. brochure].

Savremena americˇka umetnost (text in Serbo-Croatian). Introduction by H.H. Arnason. [Yugoslavia: American Embassy, 1961]. Published in conjunction with the exhibition organized for the United States Information Agency Fine Arts Section by the Guggenheim Museum.

Second 1961 Exhibition. Provincetown, MA: Provincetown Art Association, 1961.

Six Decades of American Painting of the Twentieth Century. Des Moines, IA: Des Moines Art Center, 1961.

The VI Tokyo Biennale (text in English and Japanese). Tokyo: Tokyo Metropolitan Art Gallery, 1961.

64th American Exhibition: Paintings, Sculpture. Chicago: The Art Institute of Chicago, 1961.

The Theatre Collects American Art: Fourth Loan Exhibition by the Friends of the Whitney Museum of American Art. New York: Whitney Museum of American Art, 1961.

Treasures of Chicago Collectors. Chicago: The Art Institute of Chicago, 1961.

Twenty-Seventh Biennial Exhibition of Contemporary American Painting. Washington, DC: Corcoran Gallery of Art, 1961.

1962

Abstrakte amerikanische Malerei (text in German). Darmstadt, Germany: Hessisches Landesmuseum, 1962. Published in conjunction with the exhibition organized for the United States Information Agency Fine Arts Section by the Guggenheim Museum in 1961.

American Art since 1950. Foreword and introduction by Sam Hunter. Waltham, MA: Poses Institute of Fine Arts, Brandeis University, 1962. Published in conjunction with the exhibition organized by the Seattle World’s Fair.

Art since 1950: American and International. Foreword by Norman Davis; introductions by Sam Hunter and Willem Sandberg. Seattle, WA: Seattle World’s Fair, 1962.

Art: USA: Now: 102 Contemporary Artists in America (text in Japanese). Tokyo: Bridgestone Gallery, 1962 [exh. brochure].

Art: USA: Now: The S.C. Johnson & Son, Inc. Collection of Contemporary American Paintings. Introduction by Lee Nordness. Racine, WI: S.C. Johnson & Son Collection, 1962 [exh. brochure].

Artists of the Kootz Gallery. Foreword by Kenneth Donahue; essay by Clement Greenberg. Sarasota, FL: John and Mable Ringling Museum of Art, 1962.

Final Exhibition of the 1961–1962 Season: How Well Do You Know an Artist’s Style? Identify Painting and Sculpture by James Brooks, Giorgio Cavallon, Jean Dubuffet, Rudolf Hoflehner, Hans Hofmann…Zao Wou-Ki. New York: Kootz Gallery, 1962 [exh. brochure].

The James A. Michener Collection of Twentieth Century American Paintings. Little Rock: Arkansas Arts Center, 1962.

James Michener, Art Collector. University Park: Hetzel Union Building Gallery, Pennsylvania State University, 1962.

The One Hundred and Fifty-Seventh Annual Exhibition of American Painting and Sculpture. Philadelphia: Pennsylvania Academy of the Fine Arts, 1962.

Second 1962 Exhibition. Provincetown, MA: Provincetown Art Association, 1962.

A Selection from the Gifts and Collection of Mr. and Mrs. Harry Lynde Bradley. Milwaukee, WI: Milwaukee Art Center, 1962 [exh. brochure].

Selections 1934–1961: American Artists from the Collection of Martha Jackson. New York: Martha Jackson Gallery, 1962.

27th Annual Midyear Show. Youngstown, OH: Butler Institute of American Art, 1962.

Vanguard American Painting. Introduction by H.H. Arnason. London: USIS Gallery, American Embassy, 1962. Published in conjunction with the exhibition organized for the United States Information Agency Fine Arts Section by the Guggenheim Museum in 1961.

Arnason, H.H. Paintings from the Joseph H. Hirshhorn Foundation Collection: A View of the Protean Century. New York: American Federation of Arts, 1962.

Gordon, John. Geometric Abstraction in America: Fifth Loan Exhibition, Friends of the Whitney Museum of American Art. New York: Whitney Museum of American Art, 1962.

1963

Annual Exhibition 1963: Contemporary American Painting. New York: Whitney Museum of American Art, 1963.

Art in Iowa from Private Collections. Des Moines, IA: Des Moines Art Center, 1963.

Art Today. Memphis, TN: Brooks Memorial Art Gallery, 1963.

Ascendancy of American Painting. Columbia, SC: Columbia Museum of Art, 1963.

Cézanne and Structure in Modern Painting. New York: Solomon R. Guggenheim Museum, 1963.

Chicago Collectors: An Exhibition Sponsored by the Men’s Council of the Art Institute. Chicago: The Art Institute of Chicago, 1963.

De A à Z 1963: 31 peintres américains choisis par the Art Institute of Chicago (text in French). Introduction by John Maxon and James A. Speyer. Paris: Centre Culturel Américain, 1963.

Eleventh Exhibition of Contemporary American Painting and Sculpture, 1963 (includes artist’s statements). Introduction by Allen S. Weller. Statement by Hofmann, p. 86. Urbana: University of Illinois Press, 1963.

Four Centuries of American Art. Minneapolis, MN: Minneapolis Institute of Arts, 1963.

French, American, and Italian Review. Oklahoma City: Oklahoma Art Center, 1963.

The James A. Michener Foundation Collection. Foreword by James A. Michener; introduction by Richard Hirsch. Allentown, PA: Allentown Art Museum, 1963.

Museum Collection Spring 1963. New York: Solomon R. Guggenheim Museum, 1963.

New Directions in American Painting. Introduction by Sam Hunter. Waltham, MA: Poses Institute of Fine Arts, Brandeis University, 1963.

The New Tradition: Modern Americans before 1940. Essay by Gudmund Vigtel. Washington, DC: Corcoran Gallery of Art, 1963.

Opere scelte: Bissière, Borduas, Burri, Dubuffet, Fautrier, Fontana, Hofmann, Lam, Mathieu, Matta, Riopelle, Tàpies, Tobey (text in Italian). Turin, Italy: Galleria Notizie, 1963.

Philadelphia Collects 20th Century. Philadelphia: Philadelphia Museum of Art, 1963.

The Richard Brown Baker Collection of American Art. Wellesley, MA: Wellesley College Museum, 1963. 

Selections from the James A. Michener Foundation Collection. Foreword by James A. Michener. Rochester, NY: Memorial Art Gallery, University of Rochester, 1963.

66th Annual American Exhibition: Directions in Contemporary Painting and Sculpture. Foreword by A. James Speyer. Chicago: The Art Institute of Chicago, 1963.

Twenty-Eighth Biennial Exhibition of Contemporary American Painting. Washington, DC: Corcoran Gallery of Art, 1963.

Two Modern Collectors: Susan Morse Hilles, Richard Brown Baker. New Haven, CT: Yale University Art Gallery, 1963.

Heller, Ben. Black and White. New York: Jewish Museum, 1963.

Rich, Daniel Catton. Aspects of Twentieth Century Painting, Lent by the Solomon R. Guggenheim Museum (includes artist’s statements). Worcester, MA: Worcester Art Museum, 1963.

1964

The Adelaide Festival of Arts 1964 Souvenir Catalogue of Special Exhibitions. Adelaide: National Gallery of South Australia, 1964. Published in conjunction with the exhibition organized by Allentown Art Museum.

American Art Today. Foreword by Norman E. Blankman. Garden City, NY: Long Island Arts Center, 1964.

American Painting 1910 to 1960: A Special Exhibition Celebrating the 50th Anniversary of the Association of College Unions (includes artist’s statements). Entry “Hans Hofmann” by M[azelle] V. K[irkpatrick], n.p. Bloomington: Indiana University, 1964.

An Anthology of Modern American Painting: An Exhibition of Paintings, Watercolors and Drawings from the Collections of the Whitney Museum of American Art, New York, and the Atlanta Art Association. Introduction by Gudmund Vigtel. Atlanta, GA: High Museum of Art, 1964.

Art: USA: The Johnson Collection of Contemporary American Painting. [Washington, DC: Corcoran Gallery of Art, 1964] [exh. brochure]. Published in conjunction with the exhibition organized by S.C. Johnson & Son Collection in 1962.

The Atmosphere of ’64. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1964.

The Coming of Color. Flint, MI: Flint Institute of Arts, 1964.

Contemporary American Painting: A Selection from the James A. Michener Foundation Collection, Allentown Art Museum, Pennsylvania, for Showing in Australian State Galleries and Newcastle City Gallery through 1964. Introduction by Richard Hirsch. Adelaide: National Gallery of South Australia, 1964 [exh. brochure].

11th Annual Exhibition of Contemporary American Painting: Trends in Painting— 1964. Bayonne, NJ: Bayonne Jewish Community Center, 1964 [exh. brochure].

Esempi di pittura non figurativa (text in Italian). Milan: Toninelli Arte Moderna, 1964.

Exhibition Catalogue. Waterville, ME: Colby College Art Museum, 1964.

Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards. New York: American Academy of Arts and Letters, 1964 [exh. brochure].

Golden Anniversary Exhibition, Provincetown Art Association. Foreword by Hudson D. Walker. Provincetown, MA: Provincetown Art Association, 1964.

Guggenheim International Award 1964. Introduction by Lawrence Alloway. NewYork: Solomon R. Guggenheim Museum, 1964.

Nebraska Art Association 73rd Annual Exhibition. Lincoln: Nebraska Art Association, 1964.

New Accessions USA: The Tenth Biennial Exhibition of Contemporary Paintings Acquired by Leading Art Museums of the United States for Their Permanent Collections. Colorado Springs, CO: Colorado Springs Fine Arts Center, 1964.

The 1964 Pittsburgh International Exhibition of Contemporary Painting and Sculpture. Pittsburgh, PA: Museum of Art, Carnegie Institute, 1964.

Painting & Sculpture of a Decade, 54–64. London: Calouste Gulbenkian Foundation, 1964.

Painting and Sculpture Today—Second Annual Exhibition. Indianapolis, IN: John Herron Art Museum, 1964 [exh. brochure].

Recent American Paintings. Introduction by Donald B. Goodall. Austin: University Art Museum, The University of Texas, 1964.

200 Years of American Painting. Foreword by Charles Nagel; introduction by Merrill C. Rueppel. Saint Louis, MO: City Art Museum of Saint Louis, 1964.

Baur, John I.H. Between the Fairs: 25 Years of American Art, 1939–1964. Foreword by Lloyd Goodrich. New York: Frederick A. Praeger, for the Whitney Museum of American Art, 1964.

1965

Art across America: An Exhibition of 50 Contemporary American Paintings and Wall-Hung Constructions Sponsored by the Mead Corporation. Foreword by George H. Pringle; introduction by Peter Selz. Dayton, OH: The Mead Corporation, 1965.

Art of the 50’s and 60’s: Selections from the Richard Brown Baker Collection. Ridgefield, CT: Larry Aldrich Museum, 1965.

The City: Places and People; An Exhibition of Art Sponsored by the New York State Council on the Arts. New York: New York State Council on the Arts, 1965 [exh. brochure].

Collection of American Republic Insurance Company. Des Moines, IA: American Republic Insurance Company, 1965.

Collectors Choice V. Tulsa, OK: Philbrook Art Center, 1965.

Colorists, 1950–1965. Introduction by Anita Ventura. San Francisco: San Francisco Museum of Art, 1965.

Contemporary American Painting from the James A. Michener Collection, Allentown Art Museum Pennsylvania. Introduction by Richard Hirsch. Auckland, New Zealand: Auckland City Art Gallery, 1965 [exh. brochure]. Published in conjunction with the exhibition organized by Allentown Art Museum in 1964.

A Decade of American Drawings, 1955–1965. New York: Whitney Museum of American Art, 1965.

Five Distinguished American Artists: Dickinson, Hofmann, Hopper, Shahn, Soyer. Syracuse: New York State Exposition’s Art Advisory Committee, 1965 [exh. brochure].

Highlights of the 1964–65 Art Season. Ridgefield, CT: Larry Aldrich Museum, 1965.

James David Gallery, Coral Gables, Representing Kootz Gallery, New York, Presents James Brooks, Giorgio Cavallon, Hans Hofmann, Ibram Lassaw, Conrad Marca-Relli, Kyle Morris, Raymond Parker, William Ronald, Bernard Rosenthal, Ludwig Sander, Pierre Soulages, Kumi Sugai, Tadasky, Zao Wou-ki. Foreword by Samuel M. Kootz and Roddey Burdine. Coral Gables, FL: James David Gallery, 1965 [exh. brochure].

Lawyers Collect: An Exhibition of Painting and Sculpture Selected from the Private Collections of Members of the New York Bar. Foreword by Patrick J. Kelleher. New York: Association of the Bar of the City of New York, 1965.

1965 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1965.

Northeastern Regional Exhibition of Art across America. Boston: Institute of Contemporary Art, 1965 [exh. brochure]. Published in conjunction with the exhibition organized by the Mead Corporation.

Paintings from the Collection of the Solomon R. Guggenheim Museum. New York: Solomon R. Guggenheim Museum, 1965.

Three Centuries of American Painting. New York: The Metropolitan Museum of Art, 1965.

Twelfth Exhibition of Contemporary American Painting and Sculpture, 1965. Introduction by Allen S. Weller. Urbana: University of Illinois Press, 1965.

20th Century Painting and Sculpture: An Exhibition Selected from Private Collections in Connecticut for the Washington Gallery of Modern Art and the Wadsworth Atheneum, Hartford. Hartford, CT: Wadsworth Atheneum, 1965 [exh. brochure].

Twenty-Ninth Biennial Exhibition of Contemporary American Painting. Washington, DC: Corcoran Gallery of Art, 1965.

The White House Festival of the Arts, June 14, 1965. Washington, DC: The White House, 1965.

Ashton, Dore. One Hundred Contemporary American Drawings. Ann Arbor: University of Michigan Museum of Art, 1965.

Parks, Robert O. Brandeis at the Palm Beaches: An Exhibition of Pictures Lent by the Friends of Brandeis University. [West Palm Beach, FL: Norton Gallery and School of Art, 1965].

Tuchman, Maurice, ed. New York School: The First Generation; Paintings of the 1940s and 1950s (includes artist’s statements). Los Angeles: Los Angeles County Museum of Art, 1965.

1966

American Landscape: A Changing Frontier, in Commemoration of the Fiftieth Anniversary of the National Park Service. Washington, DC: Smithsonian Institution Press, 1966.

Contemporary Americans. Introduction by Illi-Maria Harff. Winnipeg, Canada: Winnipeg Art Gallery, 1966 [exh. brochure].

Contemporary Art USA. Norfolk, VA: Norfolk Museum of Arts and Sciences, 1966.

The Contemporary Spirit: Five Years; The Friends of the Corcoran. Washington, DC: Corcoran Gallery of Art, 1966 [exh. brochure].

Dix ans d’art vivant 1945–1955 (text in French). Essay by François Wehrlin. Saint-Paul, France: Fondation Maeght, 1966.

Drawings & [sic]. Foreword by Donald B. Goodall; introduction by Mercedes Matter. Austin: University Art Museum, The University of Texas, 1966.

First 1966 Exhibition. Provincetown, MA: Provincetown Art Association, 1966.

Masterpieces from Montreal: Selected Paintings from the Collection of the Montreal Museum of Fine Arts. Montreal, Canada: The Montreal Museum of Fine Arts, 1966. 

Paintings and Sculpture from the Hazen Collection. Cambridge, MA: Fogg Art Museum, 1966.

A Point of View: Selected Paintings and Drawings from the Richard Brown Baker Collection. Foreword by George T. Matthews; introduction by Richard Brown Baker. Rochester, MI: Oakland University Art Gallery, 1966. 

Second 1966 Exhibition. Provincetown, MA: Provincetown Art Association, 1966.

Selection 1966: The University Art Collections. Foreword by Peter Selz. Berkeley, CA: University of California Press, 1966.

The Taste of Angels: The Artist in Industry Collects. Los Angeles: Otis Art Institute, 1966.

26th Annual Exhibition by the Society for Contemporary American Art. Chicago: The Art Institute of Chicago, 1966. 

Goodrich, Lloyd. Art of the United States: 1670–1966. New York: Whitney Museum of American Art, 1966.

Henning, Edward B. Fifty Years of Modern Art, 1916–1966 (includes artist’s statements). Cleveland, OH: The Cleveland Museum of Art, 1966.

Rasmussen, Waldo, ed. Two Decades of American Painting (text in English and Japanese). Essays by Irving Sandler, Lucy R. Lippard, and G.R. Swenson. Tokyo: National Museum of Modern Art, Tokyo, 1966.

Selz, Peter. Seven Decades, 1895–1965: Crosscurrents in Modern Art. New York: Public Education Association of the City of New York, 1966.

1967

American Masters: Art Students League (includes artist’s statements). Entry “Hans Hofmann” by Thomas B. Hess, pp. 70–71. New York: Art Students League of New York, 1967.

The Last Twenty Years in Contemporary Painting: Selections from the Collection of Richard Brown Baker. Preface by Damie Stillman; introduction by Richard Brown Baker. Milwaukee: Art History Gallery, University of Wisconsin–Milwaukee, 1967 [exh. brochure].

Masterpieces from University Collections. Introduction by Edward Bryant. Lexington: University of Kentucky Art Gallery, 1967. 

The MIT Art Collection. Essay by Wayne V. Andersen. Cambridge: Massachusetts Institute of Technology, [1967].

The New York Painter: A Century of Teaching, Morse to Hofmann. Essays by Albert Ten Eyck Gardner and Milton W. Brown. New York: [New York University Art Collection, 1967].

Private Collection of an Artist: Milton Wolsky. Omaha, NE: Joslyn Art Museum, 1967.

Roots and Promise of American Art. New York: American Greetings Gallery, 1967.

Sculpture and Paintings: Exhibition of the Walter R. Beardsley Collection. Notre Dame, IN: University of Notre Dame Art Gallery, [1967].

Selection 1967: Recent Acquisitions in Modern Art. Introduction by Peter Selz. Entry “Hans Hofmann” by C[arol] L[indsley], pp. 53–61. Berkeley: University Art Museum, University of California, 1967.

Sources for Tomorrow: 50 American Paintings, 1946–1966; Selected from the James A. Michener Foundation Collection, Allentown Art Museum. Introduction by Richard Hirsch. Washington, DC: Smithsonian Institution Traveling Exhibition Service, 1967.

Dodd, Lamar, and William D. Paul Jr. American Painting: The 1940’s. New York: American Federation of Arts, 1967.

Gerdts, William H. American Still-Life Painting, 1913–1967. New York: American Federation of Arts, 1967.

Rasmussen, Waldo, ed. Two Decades of American Painting. Essays by Irving Sandler, Lucy R. Lippard, and G.R. Swenson. New Delhi, India: Lalit Kala Akademi, 1967.

Rasmussen, Waldo, ed. Two Decades of American Painting. Essays by Irving Sandler, Lucy R. Lippard, and G.R. Swenson. Melbourne, Australia: National Gallery of Victoria; Sydney, Australia: Art Gallery of New South Wales, 1967.

Warnock, Anne E. Twentieth Century American Painting. Foreword by Walter H. McBride. Grand Rapids, MI: Grand Rapids Art Museum, 1967.

1968

American Paintings on the Market Today. Introduction by Richard J. Boyle. Cincinnati, OH: Cincinnati Art Museum, 1968.

Betty Parsons’ Private Collection. Foreword by Robert J. McKnight; introduction by Elayne H. Varian; essay by Eugene C. Goossen. Bloomfield, MI: Cranbrook Academy of Art; Memphis, TN: Brooks Memorial Art Gallery, 1968.

Betty Parsons’ Private Collection. Introduction by Elayne H. Varian; essay by Eugene C. Goossen. New York: Finch College Museum of Art, 1968.

Catalogo della XXXIV esposizione biennale internazionale d’arte Venezia (text in Italian). Venice: Alfieri, 1968.

The Collection of Mrs. Harry Lynde Bradley. Milwaukee, WI: Milwaukee Art Center, 1968.

Collectors Choice ’68. Oklahoma City: Oklahoma Art Center, 1968 [exh. brochure].

The Neuberger Collection: An American Collection; Paintings, Drawings, and Sculpture (includes artist’s statements). Introduction by Daniel Robbins. Providence: Museum of Art, Rhode Island School of Design, 1968.

New York Collects. Foreword by Thomas P.F. Hoving. New York: The Metropolitan Museum of Art, 1968.

Painting as Painting. Preface by Donald B. Goodall; introduction by Dore Ashton; essays by George McNeil and Louis Finkelstein. Austin: University Art Museum, The University of Texas at Austin, 1968.

Paintings from the Albright-Knox Art Gallery, Buffalo, New York. Foreword by John Walker; introduction by Gordon Mackintosh Smith. Buffalo, NY: Buffalo Fine Arts Academy, 1968.

A University Collects: The University of California, Berkeley (includes artist’s statements). Introduction by Peter Selz. New York: American Federation of Arts, 1968. Published in conjunction with the exhibition organized by American Federation of Arts in 1967.

Agee, William C. The 1930’s: Painting and Sculpture in America. New York: Whitney Museum of American Art, 1968.

Rosenthal, Gertrude, ed. From El Greco to Pollock: Early and Late Works by European and American Artists. Baltimore, MD: The Baltimore Museum of Art, 1968.

Washburn, Gordon B., ed. American Painting: The 1950’s. New York: American Federation of Arts, 1968.

1969

Art in Westchester from Private Collections. Yonkers, NY: Hudson River Museum, 1969.

109 obras de Albright-Knox Art Gallery (text in Spanish). Buenos Aires, Argentina: Museo Nacional de Bellas Artes, 1969.

The Joseph H. Hazen Collection. Columbus, OH: Columbus Gallery of Fine Arts, 1969 [exh. brochure].

The New American Painting and Sculpture: The First Generation, from the Collection of The Museum of Modern Art Including Promised Gifts. New York: The Museum of Modern Art, 1969.

Selected Paintings from the Michener Collection. Austin: University Art Museum, The University of Texas at Austin, 1969.

A Selection of 30 Paintings from the Collection of Richard Brown Baker. Tampa: University of South Florida, 1969.

Geldzahler, Henry. New York Painting and Sculpture: 1940–1970. Foreword by Thomas P.F. Hoving; essays by Harold Rosenberg, Robert Rosenblum, Clement Greenberg, William Rubin, and Michael Fried. New York: E.P. Dutton, in association with The Metropolitan Museum of Art, 1969.

Tapié, Michel. Espaces abstraits: de l’intuition à la formalisation (text in French). Milan: Edizioni della Galleria d’arte Cortina, 1969.

1970

Against Order: Chance and Art. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1970.

The American Scene, 1900–1970. Foreword by Thomas T. Solley; introduction by Henry R. Hope. Bloomington: Indiana University Art Museum, 1970.Centennial Acquisitions: Art Treasures for Tomorrow. Boston: Museum of Fine Arts, Boston, 1970.

Color and Field, 1890–1970. Preface and introduction by Priscilla Colt. Buffalo, NY: Albright-Knox Art Gallery, 1970.

Dedication of the Hans Hofmann Wing, Friday 6 November 1970 (part of the inaugural exhibition Excellence: Art from the University Community). Introduction by Peter Selz and Erle Loran. Berkeley: University Art Museum, University of California, 1970 [exh. brochure].

Excellence: Art from the University Community. Foreword by Peter Selz. Berkeley: University Art Museum, University of California, 1970.

Inaugural Exhibition: 19th & 20th Century Art from Collections of Alumni & Friends. Introduction by Arthur R. Blumenthal. Madison, WI: Elvehjem Art Center, 1970.

Masterpieces of Fifty Centuries. Introduction by Kenneth Clark. New York: E.P. Dutton, in association with The Metropolitan Museum of Art, 1970.

Museum Leaders Collect: Selections from the Private Collections of Ten New York Museum Directors and Curators. New York: New School Art Center, 1970.

The Opening. Toronto, Canada: David Mirvish Gallery, 1970 [exh. brochure].

The Recent Years. Introduction by Kathryn E. Gamble. Montclair, NJ: Montclair Art Museum, 1970 [exh. brochure].

Selections from the Guggenheim Museum Collection, 1900–1970. New York: Solomon R. Guggenheim Foundation, 1970.

1971

American Painting since World War II. Introduction by Rowland Elzea. Wilmington: Delaware Art Museum, 1971.

Aspetti dell'informale Milano (text in Italian). Milan, Italy: Stampa Litouric, 1971.

Il Cavaliere Azzurro/Der Blaue Reiter (text in Italian). Turin, Italy: Amici dell’Arte Contemporanea; Galleria Civica d’Arte Moderna, 1971.

Contemporary American Art from Orange County Collections. Newport Harbor, CA: Newport Harbor Art Museum, 1971.

Martha Jackson Gallery Collection (text in English and Japanese). Foreword by David K. Anderson. Tokyo: Seibu Department Stores, 1971.

Memorial Exhibition: Lee Gatch, Hans Hofmann, Edward Hopper, Henry Schnakenberg, Charles Sheeler. New York: American Academy of Arts and Letters, 1971.

The Sixties: A Collection of Paintings from the James A. Michener Collection of The University of Texas, Austin, Texas. Foreword by Marian B. Davis. Springfield, MO: Springfield Art Museum, 1971.

Ten Years: The Friends of the Corcoran; 20th Century American Artists. Preface by Walter Hopps. Washington, DC: Corcoran Gallery of Art, 1971.

Texas Collects Twentieth Century American Art. Tulsa, OK: Philbrook Art Center, 1971.

20th-Century Painting and Sculpture from the New York University Art Collection. New York: New York University Art Collection, 1971.

Two Directions in American Painting. West Lafayette, IN: Purdue University Department of Creative Arts, 1971.

Maytham, Thomas N. Great American Paintings from the Boston and Metropolitan Museums. New York: Viking Press, in association with the Seattle Art Museum, 1971. Published in conjunction with the exhibition organized by Seattle Art Museum in 1970.

Tucker, Marcia. The Structure of Color. New York: Whitney Museum of American Art, 1971.

1972

Abstract Expressionism: The First and Second Generations in the Albright-Knox Art Gallery. Buffalo, NY: Albright-Knox Art Gallery, 1972.

American Art since 1945: A Loan Exhibition from The Museum of Modern Art. Philadelphia: Philadelphia Museum of Art, 1972.

American Painting, 1840–1940. Wilmington: Delaware Art Museum, 1972.

Cleveland Collects Contemporary Art. Cleveland, OH: The Cleveland Museum of Art, 1972.

Form und Werdegang: Die amerikanische Malerei im 20. Jahrhundert; Eine Auswahl aus der Michener Kunstkollektion, Universität von Texas, Austin (text in German; includes artist’s statements). Berlin: Amerika Haus, 1972.

Forma ¸Si Procesul De Crea¸tie: ˘ In Pictura American˘a A Secolului Dou˘azeci; Selec¸tii din Colec¸tia Michener, Universitatea din Texas, Austin (text in Romanian; includes artist’s statements). Bucharest, Romania: United States Embassy Library, Bucharest, 1972.

Masters of the Sixties. Introduction by Karen Wilkin. Edmonton, Canada: Edmonton Art Gallery; Toronto, Canada: David Mirvish Gallery, 1972.

Modern Masters from Chicago Collections. Chicago: Museum of Contemporary Art, Chicago, 1972 [exh. brochure].

Museum Pieces of the Postwar Era. New York: Solomon R. Guggenheim Museum, 1972 [exh. brochure].

Out of Sight: Works of Art from San Diego Collections. San Diego, CA: Fine Arts Gallery of San Diego, 1972.

Ten Years of Contemporary Art Council Acquisitions. Los Angeles: Los Angeles County Museum of Art, 1972.

Howard, Richard F., and Edward F. Weeks. “American Masters, 1872–1972.” Exhibition publication issued as part of the Birmingham Museum of Art Bulletin: 1972 Festival of Arts, no. 10 (February–March 1972).

1973

American Abstract Expressionists. Philadelphia: Makler Gallery, 1973 [exh. brochure].

American Art at Mid-century 1. Introduction by William C. Seitz. Washington, DC: National Gallery of Art, 1973.

Diversity in the Twentieth Century: Four Northwood Women Collect. Midland, MI: Northwood Institute, 1973.

Exponents of Modernism: From the Collections of the Fort Worth Art Museum, a Museum of Twentieth Century Art, Fort Worth; the Amon Carter Museum, Fort Worth; Meredith Long & Company, Houston. Essay by Dave Hickey. [Fort Worth, TX: The Fort Worth Art Museum, 1973].

A Handbook of Twentieth Century Art to Accompany the Exhibition Selections from the NYU Art Collection. Introduction by Stephanie Terenzio. Storrs: William Benton Museum of Art, University of Connecticut, 1973.

The Harold and May Rosenberg Collection. Foreword by Kathryn E. Gamble. Montclair, NJ: Montclair Art Museum, 1973 [exh. brochure].

Iowa Collects. Foreword by James T. Demetrion. Des Moines, IA: Des Moines Art Center, 1973.

The Private Collection of Martha Jackson. Preface by Adelyn Breeskin; foreword by David Anderson; introduction by Elayne H. Varian. Baltimore: University of Maryland Art Gallery; distributed by Wittenborn Art Books, 1973.

A Selection of American and European Paintings from the Richard Brown Baker Collection. San Francisco: San Francisco Museum of Art, 1973.

Still Life and Flowers: An Exhibition from the Collection of the Whitney Museum of American Art. Palm Beach, FL: Society of the Four Arts, 1973 [exh. brochure].

Marandel, J. Patrice. The Albert Pilavin Collection: Twentieth-Century American Art II. Introduction by Stephen E. Ostrow. Providence: Museum of Art, Rhode Island School of Design, 1973.

Marandel, J. Patrice. Small Works: Selections from the Richard Brown Baker Collection of Contemporary Art. Providence: Museum of Art, Rhode Island School of Design, 1973.

Van der Marck, Jan. American Art: Third Quarter Century. Seattle, WA: Contemporary Art Council of the Seattle Art Museum, 1973.

1974

American Art In Upstate New York: Drawings, Watercolors and Small Sculpture. Buffalo, NY: Albright-Knox Art Gallery, 1974.

Cornell Collects Modern Art: Paintings from the Collection of the Herbert F. Johnson Museum of Art, Cornell University. Ithaca, NY: Office of University Publications, Cornell University, 1974 [exh. brochure].

Fiftieth Anniversary Exhibition of the Cincinnati Print and Drawing Circle. Cincinnati, OH: Cincinnati Art Museum, 1974.

Frank O’Hara, a Poet among Painters. Foreword by Richard Armstrong, Hope Davis, Mary C. Foster, Elizabeth King, Michael R. Klein, and Bill Zimmer. New York: Whitney Museum of American Art, 1974 [exh. brochure].

Hans Hofmann, Perle Fine, Carl Holty, Vaclav Vytlacil. Port Washington, NY: Port Washington Public Library, 1974 [exh. brochure].

The Making of a Museum: Neuberger Museum, State University of New York, College at Purchase; May 1974. Purchase: Neuberger Museum, State University ofNew York at Purchase, 1974.

Selected Works from the Collection of Carter Burden: For the Benefit of the Studio Museum in Harlem and the Burden Center for the Aging. New York: Marlborough Gallery, 1974.

Twentieth Century Art from Fort Worth Dallas Collections. Fort Worth, TX: The Fort Worth Art Museum, 1974.

Carmean, E.A., Jr. The Great Decade of American Abstraction: Modernist Art 1960 to 1970; Inaugural Exhibition for the Brown Pavilion, The Museum of Fine Arts, Houston. Introduction by Philippe de Montebello. Houston: The Museum of Fine Arts, Houston, 1974.

Geldzahler, Henry. Arte del siglo veinte: EE.UU. del Museo Metropolitano de Arte/Twentieth Century Art: U.S.A., from The Metropolitan Museum of Art (text in Spanish and English; includes artist’s statements). New York: The Metropolitan Museum of Art, 1974.

Lerner, Abram, ed. The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution. Foreword by S. Dillon Ripley; essays by Linda Nochlin, Alfred Frankenstein, John I.H. Baur, Milton W. Brown, Irving Sandler, and Dore Ashton. New York: Harry N. Abrams, 1974. Published in conjunction with the inaugural exhibition at the Hirshhorn Museum.

Van Devanter, Ann C., and Alfred V. Frankenstein. American Self-Portraits, 1670–1973. Entry “Hans Hofmann 1880–1966” by A[lfred] V. F[rankenstein], p. 170. Washington, DC: International Exhibitions Foundation, 1974.

1975

Cor como linguagem (text in Portuguese). Foreword by P.M. Bardi; introduction by Kynaston McShine. São Paulo, Brazil: Museu de Arte de São Paulo Assis Chateaubriand, 1975 [exh. brochure]. Published in conjunction with the exhibition organized by the International Council of The Museum of Modern Art.

The Greenberg Gallery. Saint Louis, MO: Greenberg Gallery, [1975].

Inaugural Exhibition: Selections from the Ben and Abby Grey Foundation Collection of Contemporary Asian and Middle Eastern Art; Selections from the New York University Art Collections. Foreword by Kenneth L. Mathis; introduction by Joy L. Gordon. New York: Grey Art Gallery and Study Center, New York University, 1975. Published in conjunction with the exhibition organized by Grey Art Gallery and Study Center in 1976.

15 American Artists from the Corcoran: An Exhibition of American 20th C. Works from the Permanent Collection of the Corcoran Gallery of Art, Washington, DC. Foreword by Roy Slade. London, Canada: London Art Gallery, 1975.

The Kennedy Galleries Are Host to the Hundredth Anniversary Exhibition of Paintings and Sculptures by 100 Artists Associated with the Art Students League of New York. New York: Art Students League of New York, 1975.

The Martha Jackson Collection at the Albright-Knox Art Gallery. Buffalo, NY: Albright-Knox Art Gallery, 1975. 

The Metropolitan Museum of Art: Notable Acquisitions, 1965–1975 (includes artist’s statements). Foreword by Thomas P.F. Hoving; preface by Olga Raggio. Entry “Hans Hofmann” by H[enry] G[eldzahler], pp. 214–15. New York: The Metropolitan Museum of Art, 1975. Published in conjunction with the exhibition Patterns of Collecting: Selected Acquisitions 1965–1975.

One Hundred: An Exhibition to Celebrate the Centennial Year of Smith College. Northampton, MA: Smith College Museum of Art, 1975.

La pintura americana del siglo veinte: una selección de la Colección Michener (text in Spanish; includes artist’s statements). Austin: The University of Texas at Austin, 1975.

Pintura americana do século XX: quadros escolhidos da coleção Michener (text in Portuguese; includes artist’s statements). Austin: The University of Texas at Austin, 1975.

Richard Brown Baker Collects! A Selection of Contemporary Art from the Richard Brown Baker Collection (includes artist’s statements). Introduction by Theodore E. Stebbins Jr.; essays by Susan P. Casteras, Carol Ockman, John R. Klein, Margaret S. Nesbit, Mark Savitt, Leo H. Rubinfien, and Kenneth E. Silver. New Haven, CT: Yale University Art Gallery, 1975.

Subjects of the Artist: New York Painting, 1941–1947 (includes artist’s statements). New York: Whitney Museum of American Art, 1975 [exh. brochure].

Surrealität—Bildrealität, 1924–1974: In den unzähligen Bildern des Lebens (text in German). Dusseldorf, Germany: Städtische Kunsthalle Düsseldorf, 1975. Published in conjunction with the exhibition organized by Städtische Kunsthalle Düsseldorf in 1974.

Legg, Alicia. American Art since 1945 from the Collection of The Museum of Modern Art. New York: The Museum of Modern Art, 1975.

1976

Abstract Expressionism: Works from the Collection of the Whitney Museum of American Art (includes artist’s statements). Introduction by Tom Horowitz. Miami, FL: Miami-Dade Community College, 1976.

Acquisition Priorities: Aspects of Postwar Painting in America. New York: Solomon R. Guggenheim Foundation, 1976.

Art américain: collection du Musée (text in French; includes artist’s statements). Grenoble, France: Musée de Grenoble, 1976.

Aspects of Postwar Painting in America: In Observance of the Bicentennial Year, 1976. Columbus, OH: Columbus Gallery of Fine Arts, 1976.

Aspects of 20th Century Art: On the Occasion of David Jones’ American Promotion. Sydney, Australia: David Jones Limited, 1976.

200 anni di pittura americana, 1776–1976: mostra organizzata dal Baltimore Museum of Art (text in Italian). Rome: De Luca, 1976. Published in conjunction with the exhibition organized by the Baltimore Museum of Art.

200 godina ameriˇckog slikarstva, 1776–1976 (text in Serbo-Croatian). Belgrade, Yugoslavia: Ameriˇcka ambasada, 1976. Published in conjunction with the exhibition organized by the Baltimore Museum of Art.

Heritage and Horizon: American Painting, 1776–1976. [Buffalo, NY: Albright-Knox Art Gallery], 1976.

Heritage of Freedom: A Salute to America’s Foreign-Born Artists. Introduction by Dorothy M. Kosinsky. Huntington, NY: Heckscher Museum of Art, 1976.

Panorama of American Art. Syracuse, NY: Everson Museum of Art, 1976.

The Seattle Art Museum Lends. Vancouver, Canada: Vancouver Art Gallery, 1976 [exh. brochure].

Second Williams College Alumni Loan Exhibition: In Celebration of the 50th Anniversary of the Williams College Museum of Art, and in Honor of President John W. Chandler and Professor S. Lane Faison, Jr. Williamstown, MA: Williams College Museum of Art, 1976.

30th Anniversary Showing Artists of the First Ten Years, 1946–1976. Introduction by Thomas B. Hess. New York: Betty Parsons Gallery, 1976 [exh. brochure].

Three Decades of American Art Selected by the Whitney Museum (text in Japanese and English). Tokyo: Seibu Museum of Art, 1976.

Anderson, Dennis R. Three Hundred Years of American Art in the Chrysler Museum. Norfolk, VA: Chrysler Museum of Art, 1976.

Baur, John I.H. American Painting 1900–1976. Foreword by Ellen R. Cabell. Katonah, NY: Katonah Gallery, 1976.

Honnef, Klaus, and Ingeborg Krüger, eds. 200 Jahre amerikanische Malerei, 1776– 1976: Eine Ausstellung des Rheinischen Landesmuseums Bonn und der Botschaft der Vereinigten Staaten von Amerika (text in German). Bonn, Germany: Rheinisches Landesmuseum, 1976. Published in conjunction with the exhibition organized by the Baltimore Museum of Art.

McCabe, Cynthia Jaffee. The Golden Door: Artist-Immigrants of America, 1876–1976 (includes artist’s statements). Introduction by Daniel J. Boorstin. Washington, DC: published for the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution by the Smithsonian Institution Press, 1976.

Powell, Earl A., III. Abstract Expressionists and Imagists: A Retrospective View; An Exhibition of Paintings from the Michener Collection. Austin: University Art Museum, The University of Texas at Austin, 1976.

Stebbins, Theodore E., Jr. American Master Drawings and Watercolors: A History of Works on Paper from Colonial Times to the Present. With contributions by John Caldwell and Carol Troyen. New York: Harper & Row, 1976.

1977

American Art since 1945: From the Collection of The Museum of Modern Art. Introduction by Alicia Legg. New York: Bronx Museum of the Arts, 1977 [exh. brochure].

Cape Cod as an Art Colony. Sandwich, MA: Heritage Plantation of Sandwich, 1977.

The Chosen Object: European and American Still Life. Omaha, NE: Joslyn Art Museum, 1977.

Collectors, Collecting, Collection: American Abstract Art since 1945. San Francisco: San Francisco Museum of Modern Art, 1977.

Eighteen Contemporary Masters. Ottawa, Canada: United States Embassy, Ottawa, 1977.

The Fauve Heritage. Introduction by Karen Wilkin. Edmonton, Canada: Edmonton Art Gallery, 1977.

New York: The State of Art. Essays by Robert Bishop, William H. Gerdts, and Thomas B. Hess. Albany: New York State Museum, 1977.

Santa Fe Collects. Santa Fe, NM: Museum of Fine Arts, 1977.

20th-Century American Art from Friends’ Collections. New York: Whitney Museum of American Art, 1977 [exh. brochure].

Twentieth Century American Paintings from The Metropolitan Museum of Art (includes artist’s statements). Southampton, NY: Parrish Art Museum, 1977.

Two Hundred Years of American Painting: A Bicentennial Exhibition. Baltimore, MD: The Baltimore Museum of Art, 1977 [exh. brochure].

Agee, William C. Modern American Painting 1910–1940: Toward a New Perspective. Houston: The Museum of Fine Arts, Houston, 1977.

Cummings, Paul. American Drawing, 1927–1977. Prologue by Miriam B. Lein. Saint Paul: Minnesota Museum of Art, 1977.

Kuchta, Ronald A., ed. Provincetown Painters, 1890’s–1970’s (includes artist’s statements). Essay by Dorothy Gees Seckler. Syracuse, NY: Everson Museum of Art, 1977.

1978

Building a Collection: Norman Mackenzie Art Gallery, University of Regina. Regina, Canada: Norman Mackenzie Art Gallery, University of Regina, 1978.

Days Lumberyard Studios, Provincetown, 1914–1971. Essay by Ben Brooks; memoir by Robert Motherwell. Provincetown, MA: Provincetown Art Association and Museum, 1978.

Das Museum of Modern Art New York zu Gast im Kunstmuseum Bern und Museum Ludwig Köln: Amerikanische Kunst des 20. Jahrhunderts (text in German). Foreword by Sandor Kuthy and Karl Ruhrberg; essays by Richard E. Oldenburg, Waldo Rasmussen, Carolyn Lanchner, Barbara London, William S. Lieberman, Bernice Ross, Riva Castelman, Howardena Pindell, Arthur Drexler, J. Steward Johnson, John Szarkowski, Eileen Bowser, and Clive Phillpot. New York: The Museum of Modern Art, in association with the Kunstmuseum Bern, and Museum Ludwig, Cologne, 1978. Published in conjunction with the exhibition American Art from The Museum of Modern Art in 1979.

La Peinture américaine au 20e siècle de la collection du Metropolitan Museum of Art (text in French). Brussels: Société des expositions du Palais des Beaux-Arts, 1978.

Twentieth Century American Masters: Inaugural Exhibition. South Bend, IN: The Art Center, 1978.

The Vice President’s House. Introduction by Joan Mondale; collection assembled by Harry S. Parker III. [Washington, DC: The Vice President’s House, 1978]. Published in conjunction with the exhibition organized by Dallas Museum of Fine Arts.

Cazals, Henri de. L’Art moderne dans les musées de province (text in French). Paris: Éditions de la Réunion des musées nationaux, 1978.

Gingold, Diane J. American Art, 1934–1956: Selections from the Whitney Museum of American Art (includes artist’s statements). Montgomery, AL: Montgomery Museum of Fine Arts, 1978.

Hobbs, Robert Carleton, and Gail Levin. Abstract Expressionism: The Formative Years. Entry “Hans Hofmann” by Gail Levin, pp. 78–81. New York: Whitney Museum of American Art; Ithaca, NY: Herbert F. Johnson Museum of Art, Cornell University, 1978.

Ulen, Sarah. Two Decades: American Art from the Collection of the Smith College Museum of Art. Northampton, MA: Smith College Museum of Art, 1978.

1979

Abstract Expressionism: A Tribute to Harold Rosenberg; Paintings and Drawings from Chicago Collections. Chicago: David and Alfred Smart Gallery, University of Chicago, 1979.

America and Europe: A Century of Modern Masters from the Thyssen-Bornemisza Collection (includes artist’s statements). Sydney, Australia: Australian Gallery Directors’ Council, 1979.

American Painting 1955 to 1976: Twenty-Five Selections from the Collection of the Albright-Knox Art Gallery, Buffalo, New York. Regina, Canada: Norman Mackenzie Art Gallery, University of Regina, 1979.

The New York School, 1940–1960: The First Generation of Abstract Expressionism. Essay by Irving Sandler. Reno, NV: Sierra Nevada Museum of Art, 1979.

Selections from the Collection of Mr. & Mrs. Eugene M. Schwartz. New York: M. Knoedler & Co., 1979.

Selections from the Collection of Richard Brown Baker. Princeton, NJ: Squibb Gallery, 1979 [exh. brochure].

20th Century Paintings. New York: Salander-O’Reilly Galleries, 1979 [exh. brochure].

1980

L’Amérique aux Indépendants: 91e exposition (text in French). Paris: Société des Artistes Indépendants, 1980.

Collections d’art (text in French). Valence, France: Musée de Valence, 1980.

Selected 20th Century American Self Portrait. Text by John Perreault. New York: Harold Reed Gallery, 1980.

Barnett, Vivian Endicott. Handbook: The Guggenheim Museum Collection, 1900–1980. Preface by Thomas M. Messer. New York: Solomon R. Guggenheim Museum, 1980.

Rosenzweig, Phyllis. The Fifties: Aspects of Painting in New York (includes artist’s statements). Washington, DC: Smithsonian Institution Press, 1980.

1981

American Abstract Expressionists. Introduction by John Drummond; essay by Waldo Rasmussen. New York: The Museum of Modern Art, 1981.

American Paintings from the Museum of Fine Arts, Boston (text in Chinese and English). Essays by Theodore E. Stebbins Jr. and Kenworth Moffett. [Washington, DC: United States International Communication Agency], 1981.

Decade of Transition, 1940–1950: A Permanent Collection Exhibition. Essay by Patterson Sims. New York: Whitney Museum of American Art, 1981.

Eleven Paintings and Two Sculptures from the Sixties. Foreword by B.R. Kornblatt. Washington, DC: B.R. Kornblatt Gallery, 1981.

Illustrated Checklist of the Collection: Paintings, Sculpture and Works on Paper. Saint Louis, MO: Washington University Gallery of Art, 1981. Published in conjunction with the exhibition The Centennial Exhibition.

Ten American Abstract Masters. New York: Marisa del Re Gallery, 1981.

Tracking the Marvelous. Essay by John Bernard Myers. New York: Grey Art Gallery and Study Center, New York University, 1981.

Armstrong, Tom. Amerikanische Malerei, 1930–1980 (text in German). Contributions by Bernd Growe. Munich: Prestel-Verlag; Haus der Kunst, 1981.

Gerdts, William H. Painters of the Humble Truth: Masterpieces of American Still Life, 1801–1939. Columbia: Philbrook Art Center, with University of Missouri Press, 1981.

Glozer, Laszlo. Westkunst: Zeitgenössische Kunst seit 1939 (text in German). Cologne: DuMont Buchverlag, 1981.

Jensen, Dean. Center Ring: The Artist; Two Centuries of Circus Art. Milwaukee, WI: Milwaukee Art Museum, 1981.

Lieberman, William S., ed. An American Choice: The Muriel Kallis Steinberg Newman Collection (includes artist’s statement). New York: The Metropolitan Museum of Art, 1981.

Moran, Peter, and Eric M. Zafran. Drawings from Georgia Collections: 19th and 20th Centuries. Atlanta, GA: High Museum of Art, 1981.

Phillips, Lisa. A Tradition Established 1940–1970: Selections from the Permanent Collection of the Whitney Museum of American Art. New York: Whitney Museum of American Art, 1981.

Schwartz, Constance. The Abstract Expressionists and Their Precursors. Essays by Max Kozloff and Dore Ashton. Entry “Hans Hofmann” by Constance Schwartz, pp. 45–47. Roslyn, NY: Nassau County Museum of Fine Art, 1981.

1982

The Carolyn and Jack Farris Collection: Selected Contemporary Works. La Jolla, CA: La Jolla Museum of Contemporary Art, 1982.

Collecting/Sharing: The Madeleine and Milton Gardner Collection. Introduction and essay by Katherine Lochridge. Huntington, NY: Heckscher Museum of Art, 1982 [exh. brochure].

The New York School: Four Decades, Guggenheim Museum Collection and Major Loans. Foreword by Diane Waldman; essay by Lisa Dennison. New York: Solomon R. Guggenheim Foundation, 1982 [exh. brochure].

A Private Vision: Contemporary Art from the Graham Gund Collection. Essays by Carl Belz, Kathy Halbreich, Kenworth Moffett, Elisabeth Sussman, and Diane W. Upright. Boston: Museum of Fine Arts, Boston, 1982.

Bal, Danièle, and Hélène Vincent. Andry-Farcy, un conservateur novateur: le Musée de Grenoble de 1919 à 1949 (text in French). Grenoble, France: Musée de Grenoble, 1982.

Cathcart, Linda L. The Americans: The Collage. Houston: Contemporary Arts Museum, 1982.

Rose, Barbara. Miró in America. Essays by Judith McCandless and Duncan Macmillan. Houston: The Museum of Fine Arts, Houston, 1982.

Schwartz, Constance, and Thomas Saltzman. The Long Island Collections: A Century of Art, 1880–1980. Roslyn, NY: Nassau County Museum of Fine Art, 1982.

1983

American Abstract Expressionist Paintings from the Collection of the Sarah Campbell Blaffer Foundation. Essay by Sam Hunter. Santa Barbara, CA: Santa Barbara Museum of Art, 1983 [exh. brochure]. Published in conjunction with the exhibition organized by Sarah Campbell Blaffer Foundation in 1977.

Cincinnati Collects Paintings. Cincinnati, OH: Cincinnati Art Museum, 1983.

Hands across the Sea: A Celebration of the German Presence in American Art. Essay by Claus Clüver. Bloomington: Indiana University Art Museum, 1983.

Living with Art, Two: The Collection of Walter and Dawn Clark Netsch. Foreword by David Berreth; introduction by Sterling Cook. Oxford, OH: Miami University Art Museum, 1983.

Maestri americani della Collezione Thyssen-Bornemisza (text in Italian and English). Lugano, Switzerland: The Thyssen-Bornemisza Collection; Milan: Electa Editrice, 1983.

Modern Still Life: Selections from the Permanent Collection of the Whitney Museum of American Art. Essay by Pamela Gruninger. New York: Whitney Museum of American Art, 1983.

The Russian Avant Garde, from the Collection of Ruth & Marvin Sackner. American Abstract Artists, from the Collection of Patricia and Phillip Frost. Barrytown, NY: Artext, Station Hill Press; Coral Gables: FL: Lowe Art Museum, University of Miami, 1983.

Treasures of the University’s First Hundred Years. Austin, TX: Lyndon Baines Johnson Library and Museum, 1983.

William and Mary Collects: 19th and 20th Century Works of Art from the Alumni and Friends of the College; An Exhibition in Celebration of the Inauguration of the Muscarelle Museum of Art. Introduction by Glenn D. Lowry. Williamsburg, VA: Joseph and Margaret Muscarelle Museum of Art, College of William and Mary, 1983.

Bannard, Walter Darby. Paintings of the 50s: Another Look; A Loan of Twenty-One Paintings from the Hirshhorn Museum and Sculpture Garden. Durham, NC: Duke University Museum of Art, 1983.

Brown, Julia, and Bridget Johnson, eds. The First Show: Painting and Sculpture from Eight Collections, 1940–1980. Los Angeles: Museum of Contemporary Art, Los Angeles, 1983.

Cathcart, Linda L. American Still Life, 1945–1983. Houston: Contemporary Arts Museum, in association with Harper & Row, New York, 1983.

Frank, Peter. Self Portraits. Seattle: Linda Farris Gallery, 1983.

Lane, John R., and Susan C. Larsen, eds. Abstract Painting and Sculpture in America, 1927–1944. Entry “Hans Hofmann” by Cynthia Goodman, pp. 170–71. Pittsburgh, PA: Museum of Art, Carnegie Institute, in association with Harry N. Abrams, New York, 1983.

Messer, Thomas M., and Akira Asahi, eds. Modern Art in the West: Guggenheim (text in Japanese and English). Tokyo: Tokyo Metropolitan Government; Tokyo Metropolitan Teien Art Museum, 1983.

Oresman, Janice C. Twentieth Century American Watercolor. Hamilton, NY: Gallery Association of New York State, 1983.

Rose, Barbara. Lee Krasner: A Retrospective. Houston: The Museum of Fine Arts and New York: The Museum of Modern Art, 1983.

Schreiber, Carol. Permanent Collection: The Mary and Earle Ludgin Collection (includes artist’s statements). Chicago: Museum of Contemporary Art, Chicago, 1983.

Stebbins, Theodore E., Jr., and Carol Troyen. The Lane Collection: 20th-Century Paintings in the American Tradition (includes artist’s statements). Boston: Museum of Fine Arts, Boston, 1983.

1984

American Masters: The Thyssen-Bornemisza Collection. Introduction by John I.H. Baur. Lugano, Switzerland: The Thyssen-Bornemisza Collection; Milan: Electa Editrice, 1984.

Arte contemporaneo norteamericano: Colección David Mirvish en la residencia del embajador de Estados Unidos de America (text in Spanish). Madrid: United States Embassy, 1984.

Carles: Contemporaries. New York: Washburn Gallery, 1984 [exh. brochure].

Master Drawings, 1928–1984. Houston: Janie C. Lee Gallery, 1984.

Modern and Contemporary Masters: Paintings, Sculpture and Drawings. Chicago: Richard Gray Gallery, 1984.

Modern Masters from the Thyssen-Bornemisza Collection: Royal Academy of Arts, London, 1984. Lugano, Switzerland: The Thyssen-Bornemisza Collection; Milan: Electa Editrice, 1984.

Modern Masters from the Thyssen-Bornemisza Collection (text in Japanese and English). Introduction by Simon de Pury. Tokyo: Yomiuri Shimbun; National Museum of Modern Art, Tokyo, 1984.

Museo de los museos: arte universal a través de los tiempos (text in Spanish; includes artist’s statements). Mexico City: Museo del Palacio de Bellas Artes, Instituto Nacional de Bellas Artes, 1984.

Clark-Langager, Sarah A. Order and Enigma: American Art between the Two Wars. Utica, NY: Museum of Art, Munson-Williams-Proctor Institute, 1984.

Johns, Barbara. The Richard and Jane Lang Collection. Introduction by Bruce Guenther. Seattle, WA: Seattle Art Museum, 1984.

Neff, Terry Ann R., ed. Selections from the Permanent Collection. Vol. 1. Chicago: Museum of Contemporary Art, Chicago, 1984. Published in conjunction with the exhibition Ten Years of Collecting at the MCA.

Van der Marck, Jan. In Quest of Excellence: Civic Pride, Patronage, Connoisseurship. Contributions by J. Carter Brown, Sherman E. Lee, Agnes Mongan, and Philippe de Montebello. Miami, FL: Center for the Fine Arts, 1984.

1985

American Masters: The Thyssen-Bornemisza Collection. New York: IBM Gallery of Science and Art. 1985 [exh. brochure].

The “Art in Embassies” Collection at Rydhave (assembled in coordination with Ambassador Terence A. Todman). Copenhagen: United States Information Service, American Embassy, 1985.

Avant-Garde Comes to New York (includes artist’s statements). Essays by Gail Geburd and Constance Schwartz. Hempstead, NY: Emily Lowe Gallery, Hofstra University, 1985.

Cinquante ans de dessins américains, 1930–1980. Houston: The Menil Collection, 1985.

Des Moines Art Center Presents Iowa Collects. Des Moines, IA: Des Moines Art Center, 1985.

Groups VIII. London: Waddington Galleries, 1985.

Heirlooms: Historical Art and Decorative Arts from New Hampshire Collectors. Introduction by Marilyn F. Hoffman. Manchester, NH: Currier Gallery of Art, 1985 [exh. brochure].

Selections from the Collection of Marion and Gustave Ring. Entry “Hans Hofmann” by Cynthia Jaffee McCabe. Washington, DC: published for the Hirshhorn Museum and Sculpture Garden by the Smithsonian Institution Press, 1985.

Twentieth Century Works of Art: Fall 1985. New York: Stephen Mazoh & Co., 1985 [exh. brochure].

Les vingt ans du Musée à travers sa collection (text in French). Montreal, Canada: Musée d'Art Contemporain de Montrél, 1985.

Baker, Richard Brown, and Laura Vookles. Fortissimo! Thirty Years from the Richard Brown Baker Collection of Contemporary Art. Providence: Museum of Art, Rhode Island School of Design, 1985.

Caraco, Edward P. Profile of a Connoisseur: The Collection of Muriel Bultman Francis (includes artist’s statements). New Orleans, LA: New Orleans Museum of Art, 1985.

Hirschfeld, Susan B. Painterly Visions, 1940–1984: The Guggenheim Museum Collection and Major Loans. New York: Solomon R. Guggenheim Foundation, 1985.

Hunter, Sam. Masters of the Fifties: American Abstract Painting from Pollock to Stella. New York: Marisa del Re Gallery, 1985.

Jones, Caroline A. Modern Art at Harvard: The Formation of the Nineteenth- and Twentieth-Century Collections of the Harvard University Art Museums. Preface by John M. Rosenfield; essay by John Coolidge. New York: Abbeville Press; Cambridge, MA: Harvard University Art Museums, 1985.

Neff, Terry Ann. R., ed. Selections from the William J. Hokin Collection. Chicago: Museum of Contemporary Art, Chicago, 1985.

Versaci, Nancy R., Judith E. Tolnick, and Ellen Lawrence. Flying Tigers: Painting and Sculpture in New York, 1939–1946 (includes artist’s statements). Introduction by Kermit Champa. Catalogue entries on Hofmann by B[irgit] G[atermann], pp. 54–59. Providence, RI: Bell Gallery, Brown University, 1985.

1986

Connecticut Collects: American Art since 1960. New York: Whitney Museum of American Art, 1986.

Crosscurrents: An Exchange between Guild Hall Museum and the Provincetown Art Association and Museum (includes artist's statements). East Hampton, NY: Guild Hall, 1986.

The Interpretative Link: Abstract Surrealism into Abstract Expressionism; Works on Paper, 1938–1948 (includes artist's statements). Newport Beach, CA: Newport Harbor Art Museum, 1986.

La Planète affolée: Surréalisme, dispersion et influences, 1938–1947 (text in French). Marseille, France: Direction des Musées de Marseille; Paris: Flammarion, 1986.

Maestros modernos de la Colección Thyssen-Bornesmisza (text in Spanish). Lugano, Switzerland: The Thyssen-Bornemisza Collection; Milan: Electa Editrice, 1986.

Selected 20th-Century Paintings. Waltham, MA: The Rose Art Museum, Brandeis University, 1986.

Two Hundred Years of American Art: The Munson-Williams-Proctor Institute. Essays by Wayne Craven and Richard Martin. Seattle: The Art Museum Association of America; distributed by the University of Washington Press, Seattle, 1986.

XLII esposizione internazionale d’arte, la Biennale di Venezia: arte e scienza. General Catalogue. Venice: Edizioni La Biennale; Milan: Electa Editrice, 1986.

Alley, Ronald. Forty Years of Modern Art, 1945–1985. London: Tate Gallery Publications, 1986.

Bell, Tiffany, Dore Ashton, and Irving Sandler. After Matisse (includes artist’s statements). New York: Independent Curators Incorporated, 1986.

Blum, Shirley Neilsen, and Suzanne Delehanty. The Window in Twentieth-Century Art (includes artist’s statements). Purchase: Neuberger Museum, State University of New York at Purchase, 1986.

Gohr, Siegfried, and Rafael Jablonka, eds. Europa/Amerika: Die Geschichte einer künstlerischen Faszination seit 1940 (text in German; includes artist’s statements). Cologne: Museum Ludwig Köln, 1986.

Goodman, Cynthia. Hans Hofmann and His Legacy (includes artist’s statements). New York: Lever/Meyerson Galleries, 1986.

Grabenhorst-Randall, Terree. Jung and Abstract Expressionism: The Collective Image among Individual Voices (includes artist’s statements). Hempstead, NY: Hofstra University Museum, 1986.

Henning, Edward B. The Art of Collecting Modern Art. Cleveland, OH: The Cleveland Museum of Art, 1986.

Hobbs, Robert Carleton. The University of Iowa Museum of Art: 101 Masterworks (includes artist’s statements). Iowa City: The University of Iowa Museum of Art, 1986.

Hunter, Sam, ed. An American Renaissance: Painting and Sculpture since 1940. Essays by Malcolm R. Daniel, Harry F. Gaugh, Sam Hunter, Karen Koehler, Kim Levin, Robert C. Morgan, and Richard Sarnoff. New York: Abbeville Press; Fort Lauderdale, FL: Museum of Art, 1986.

Rosenthal, Mark, and Ann Percy. Philadelphia Collects Art since 1940. Philadelphia: Philadelphia Museum of Art, 1986.

Ruhrberg, Karl. Twentieth Century Art: Painting and Sculpture in the Ludwig Museum (includes artist’s statements). New York: Rizzoli, 1986. Published in conjunction with the exhibition Kunst im 20. Jahrhundert organized by Museum Ludwig, Köln.

Singerman, Howard, ed. Individuals: A Selected History of Contemporary Art, 1945– 1986 (includes artist’s statements). Essays by Kate Linker, Donald Kuspit, Hal Foster, Ronald J. Onorato, Germano Celant, Achile Bonito Oliva, John C. Welchman, and Thomas Lawson. New York: Abbeville Press; Los Angeles: Museum of Contemporary Art, Los Angeles, 1986.

1987

Anne Ryan and Circle. New York: Washburn Gallery, 1987.

Color: Pure and Simple. Stamford, CT: Stamford Museum and Nature Center, 1987.

Hidden Treasures: Wisconsin Collects Painting and Sculpture. Introduction by Russell Bowman and James Mundy. Milwaukee, WI: Milwaukee Art Museum, 1987.

Masters of the XXth Century. New York: Elkon Gallery, 1987 [exh. brochure].

Modern and Contemporary Masters. Chicago: Richard Gray Gallery, 1987 [exh. brochure].

Auping, Michael, Ann Gibson, Donald Kuspit, Michael Leja, Marcelin Pleynet, Richard Shiff, and David Sylvester. Abstract Expressionism: The Critical Developments. New York: Harry N. Abrams, in association with Albright-Knox Art Gallery, Buffalo, NY, 1987.

Franz, Erich, ed. Hans von Marées und die Moderne in Deutschland (text in German; includes artist’s statements). Bielefeld, Germany: Kunsthalle Bielefeld, 1987.

Henning, Edward B. Creativity in Art and Science, 1860–1960. Cleveland, OH: The Cleveland Museum of Art, in cooperation with Indiana University Press, 1987.

Joachimides, Christos M. Der unverbrauchte Blick: Kunst unserer Zeit in Berliner Sicht (text in German). Berlin: Edition Hentrich, 1987.

Lader, Melvin P., and Fred Licht. Peggy Guggenheim's Other Legacy. New York: Trustees of the Solomon R. Guggenheim Foundation, 1987.

Messer, Thomas M. Fifty Years of Collecting: An Anniversary Selection. Vol. 3, Painting since World War II. New York: The Solomon R. Guggenheim Foundation, 1987. Published in conjunction with the exhibition organized by the Guggenheim Museum in 1988.

Murray, Joan. The Isabel McLaughlin Gift. Oshawa, Canada: The Robert McLaughlin Gallery, 1987.

Nash, Steven A., ed. A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection. New York: Rizzoli; Dallas: Dallas Museum of Art, 1987.

Williams, Dave, and Reba Williams. American Screenprints. New York: National Academy of Design, 1987.

1988

Abstract Expressionist Drawings, 1941–1955. New York: Janie C. Lee Gallery, 1988.

Contemporary Art from the Collection of Marion and David Handleman. Rochester,MI: Meadow Brook Art Gallery, Oakland University, 1988 [exh. brochure].

Inaugural Exhibition: 19th & 20th Century Masters. Montreal, Canada: Landau Fine Art, 1988.

XIX & XX Century Master Paintings and Sculptures. New York: Acquavella Galleries, 1988.

Selected Works from the Gallery’s Collection. New York: André Emmerich Gallery, 1988 [exh. brochure].

Stationen der Moderne: Die bedeutenden Kunstausstellungen des 20. Jahrhunderts in Deutschland (text in German). Berlin: Nicolai Verlag; Berlinische Galerie, 1988.

Twentieth Century Paintings and Sculpture. Chicago: Richard Gray Gallery, 1988.

Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans. New York: Solomon R. Guggenheim Museum, 1988.

Ambrozi, Katarina. Wege zur Moderne und die Ažbe-Schule in München/Pota k Moderni in Ažbetova šola v Münchnu (text in German and Serbo-Croatian; includes artist’s statements). Recklinghausen, Germany: Bongers, 1988.

Phillips, Lisa. Vital Signs: Organic Abstraction from the Permanent Collection. New York: Whitney Museum of American Art, 1988.

Sandler, Irving. The Irascibles (includes artist’s statements). New York: CDS Gallery, 1988 [exh. brochure]. Essay translated into French and reprinted as “Les Irascibles” in Art Press, no. 132 (January 1989): pp. 14–18.

1989

The Alice and Harris Weston Collection of Post-war Art (includes artist’s statements). Essay by Sue Taylor. Cincinnati, OH: Cincinnati Art Museum, 1989.

American Art since 1950 from the Permanent Collection of the Whitney Museum of American Art (text in Japanese and English). Entry “Hans Hofmann” by Sue C. Larsen, p. 14. Tokyo: East Japan Railway Company, 1989.

American Painting in the 1950s and 1960s (text in Japanese and English). Essay by Irving Sandler. Otsu-shi, Japan: Museum of Modern Art, Shiga, 1989.

The Art Gallery of Hamilton: Seventy-Five Years (1914–1989). Hamilton, Canada: Art Gallery of Hamilton, 1989.

Georgia Collects. Atlanta, GA: High Museum of Art, 1989.

Oberlin Alumni Collect: Modern and Contemporary Art. Introduction by William J. Chiego. Oberlin, OH: Allen Memorial Art Museum, Oberlin College, 1989.

The Private Eye: Selected Works from Collections of Friends of the Museum of Fine Arts, Houston. Houston: The Museum of Fine Arts, Houston, 1989.

Renoir à Riopelle: maîtres du 20e siècle/Renoir to Riopelle: Masters of the 20th Century (text in French and English). Montreal, Canada: Galerie Claude Lafitte, 1989.

Selected Works II, from the Gallery’s Collection. New York: André Emmerich Gallery, 1989 [exh. brochure].

Brougher, Kerry. Selections from the Beatrice and Philip Gersh Collection. Los Angeles: Museum of Contemporary Art, Los Angeles, 1989.

Deeds, Daphne Anderson. A Moment’s Notice: Still Lifes from the Sheldon Memorial Art Gallery. Lincoln: Sheldon Memorial Art Gallery, University of Nebraska, 1989 [exh. brochure].

Mecklenburg, Virginia M. The Patricia and Phillip Frost Collection: American Abstraction 1930–1945 (includes artist’s statements). Washington, DC: published for the National Museum of American Art by the Smithsonian Institution Press, 1989.

Wechsler, Jeffrey, Sam Hunter, and Irving Sandler. Abstract Expressionism: Other Dimensions; An Introduction to Small Scale Painterly Abstraction in America, 1940– 1965 (includes artist’s statements). Contributions by William Seitz and Matthew Lee Rohn. New Brunswick: Jane Voorhees Zimmerli Art Museum, Rutgers, State University of New Jersey, 1989.

Willers, Karl Emil. The Gestural Impulse, 1945–60: Paintings from the Permanent Collection of the Whitney Museum of American Art. New York: Whitney Museum of American Art, 1989 [exh. brochure].

1990

Abstract Expressionists: Studio 35/Downtown (includes artist’s statements). Foreword by Beth Wilson. New York: Stux Modern, 1990.

A Claim to Primacy: American Painting of the Postwar Era from the Solomon R. Guggenheim Museum. Essay by Thomas M. Messer. Coral Gables, FL: Lowe Art Museum, University of Miami, 1990.

Cornell Collects: A Celebration of American Art from the Collections of Alumni and Friends. Essays by Nancy Allyn Jarzombek, Nancy E. Green, and Jill Hartz. Ithaca, NY: Herbert F. Johnson Museum of Art, Cornell University, 1990.

Defining Modernism: Art of the 20th Century from the New York University Art Collection, Grey Art Gallery & Study Center; Inaugural Exhibition. Essay by Robert S. Lubar. Fairfield, CT: Thomas J. Walsh Art Gallery, Fairfield University, 1990.

The Great Decade: The 1960s; A Selection of Paintings and Sculpture. New York: André Emmerich Gallery, 1990 [exh. brochure].

The 20th Anniversary, Fuji Television Gallery 1990. Tokyo: Fuji Television Gallery, 1990.

Watercolors from the Abstract Expressionist Era. Katonah, NY: Katonah Museum of Art, 1990.

Acton, David. A Spectrum of Innovation: Color in American Printmaking 1890–1960. New York: W.W. Norton, 1990.

Harrison, Helen A. East Hampton Avant-Garde: A Salute to the Signa Gallery, 1957– 1960. East Hampton, NY: Guild Hall Museum, 1990.

Orlowsky, Lillian. The Provocative Years, 1935–1945: The Hans Hofmann School and Its Students in Provincetown (includes artist’s statements). Provincetown, MA: Provincetown Art Association and Museum, 1990.

Wechlser, Jeffrey, and Jenni L. Schlossman. Abstract Expressionism: Other Dimensions. New York: Whitney Museum of American Art at Philip Morris, 1990 [exh. brochure].

1991

Affinities in Paint. Introduction by John McEwen. London: Crane Gallery, 1991.

Art for the Nation: Gifts in Honor of the 50th Anniversary of the National Gallery of Art. Entry “Hans Hofmann” by Nan Rosenthal, pp. 416–17. Washington, DC: National Gallery of Art, 1991.

Die Hand des Künstlers. Cologne, Germany: Museum Ludwig Köln, 1991.

Toward a New Museum: Recent Acquisitions in Painting and Sculpture, 1985–1991. San Francisco: San Francisco Museum of Modern Art, 1991 [exh. brochure]

Castleman, Riva, ed. Art of the Forties. Essay by Guy Davenport. New York: The Museum of Modern Art, 1991.

Collins, Tricia, and Richard Milazzo. Who Framed Modern Art, or the Quantitative Life of Roger Rabbit. New York: Sidney Janis Gallery, 1991.

Kijima, Shunsuke, and Takao Nakamura, eds. Two Hundred Years of American Painting from the Thyssen-Bornemisza Collection (text in Japanese and English). Essay by John I.H. Baur. Tokyo: Tokyo Shimbun, 1991.

Krens, Thomas, and Carmen Giménez. Museo Guggenheim: las últimas vanguardias 1940–1991 (text in Spanish). Contributions by Francisco Calvo Serraller, Diane Waldman, Germano Celant, Mario Merz, Jean-Christophe Ammann, and Nancy Spector. New York: Solomon R. Guggenheim Foundation; Santander, Spain: Universidad Internacional Menéndez Pelayo y Museo Municipal de Bellas Artes de Santander, 1991.

Reynolds, Jock. American Abstraction at the Addison. Andover, MA: Addison Gallery of American Art, Phillips Academy 1991.

1992

Abstract Expressionism: The Haskell Collection. Jacksonville, FL: Cummer Gallery of Art, 1992.

Arte americana, 1930–1970 (text in Italian). Introduction by Attilio Codognato; contributions by Furio Colombo, Claudio Gorlier, Renato Barilli, Matthew Baigell, Sam Hunter, Alberto Boatto, and Kenneth Baker. Milan: Fabbri Editori, 1992.

Les Héros de la peinture américaine: exposition inaugurale (text in French). Paris: Galerie Gerald Piltzer, 1992.

Point of View: Landscapes from the Addison Collection. Andover, MA: Addison Gallery of American Art, Phillips Academy, 1992.

A Tribute to Mari and James A. Michener: Selections from the Michener Collection of Twentieth-Century American Art. Austin: Archer M. Huntington Art Gallery, the College of Fine Arts, The University of Texas at Austin, 1992.

Adams, Henry, and Margaret Stenz. American Drawings and Watercolors from the Kansas City Region. Kansas City, MO: Nelson-Atkins Museum of Art, 1992.

Brougher, Kerry. Selections from the Marcia Simon Weisman Collection. Los Angeles: Museum of Contemporary Art, Los Angeles, 1992 [exh. brochure].

Levin, Gail, and Marianne Lorenz. Theme & Improvisation: Kandinsky & the American Avant-Garde, 1912–1950 (includes artist’s statements). Boston: Little, Brown, 1992.

Paul, April. American Cubism: 1909–1949. New York: Sid Deutsch Gallery, 1992 [exh. brochure].

Polcari, Stephen. From Omaha to Abstract Expressionism: American Artists’ Responses to World War II. Potsdam: Roland Gibson Gallery, Potsdam College of the State University of New York, 1992.

Poli, Francesco. Pinot Gallizio nell’Europa dei dissimetrici (text in Italian). Milan: Mazzotta, 1992.

1993

Abstrakt: Der Deutsche Künstlerbund in Dresden 1993 (text in German). Stuttgart, Germany: Ed. Cantz, 1993.

The League at the Cape. Essays by Ronald G. Pisano and Tony Vevers. Provincetown, MA: Provincetown Art Association and Museum, 1993.

Roy R. Neuberger: Patron of the Arts. Essay by Irving Sandler. Purchase: Neuberger Museum of Art, State University of New York at Purchase, 1993.

Third Williams College Alumni Loan Exhibition: Two Hundred Years of American Art. Williamstown, MA: Williams College Museum of Art, 1993.

Herbert, Robert L., and Paul Staiti. Collective Pursuits: Mount Holyoke Investigates Modernism. South Hadley, MA: Mount Holyoke College Art Museum, 1993.

Roznoy, Cynthia. Spheres of Influence: Artists and Their Students in the Permanent Collection of the Whitney Museum of American Art. New York: Whitney Museum of American Art, 1993.

1994

Martha Jackson Gallery: 1953 to 1979. New York: Associated American Artists, 1994.

Masterworks of Modern Art from the Art Institute of Chicago (text in Japanese and English). Tokyo: Asahi Shimbun, 1994.

New York: A Magnet for Artists (text in Japanese and English). Tokyo: Tokyo Runessansu Suishi Iinkai, 1994.

New York—Provincetown: A 50s Connection, from the Collections of Drs. Thomas and Marika Herskovic and the Provincetown Art Association and Museum. Essays by Tony Vevers, Phyllis Braff, and Cynthia Goodman. Provincetown, MA: Provincetown Art Association and Museum, 1994.

Novices Collect: Selections from the Sam and May Gruber Collection. Manchester, NH: Currier Gallery of Art, 1994.

20th-Century Masters from the Milwaukee Art Museum (text in English and Japanese). Introduction by Russell Bowman. Entry “Hans Hofmann” by Jeanette Hall and Elizabeth Fernandez-Gimenez, pp. 110, 141. Milwaukee, WI: Milwaukee Art Museum, 1994.

Erpf, Rosemary Cohane. The Brushstroke and Its Guises. New York: New York Studio School of Drawing, Painting, and Sculpture, 1994 [exh. brochure].

Esielonis, Karyn. Still-Life Painting in the Museum of Fine Arts, Boston. Introduction by Theodore E. Stebbins Jr. and Eric M. Zafran. Boston: Museum of Fine Arts, Boston, 1994.

Grachos, Louis, and Kate Rawlinson. Abstraction: A Tradition of Collecting in Miami. Essays by Peter Schjeldahl and W. Jackson Rushing. Miami, FL: Center for the Fine Arts, 1994.

McInnes, Mary Drach. Provincetown Prospects: The Work of Hans Hofmann and His Students (includes artist’s statements). Introduction by Kim Sichel. Boston: Boston University Art Gallery, 1994.

Richard, Francis, and Lynne Warren. Under Development: Dreaming the MCA’s Collection. Chicago: Museum of Contemporary Art, Chicago, 1994.

Vevers, Tony. Provincetown Abstract Painting 1915–1950, from the Penny and Elton Yasuna Collection. Provincetown, MA: Provincetown Art Association and Museum, 1994.

1995

Les Figures de la liberté, 1945 (text in French). Geneva: Musée Rath; Milan: Skira, 1995.

Malwut und Leidenschaft (text in German). Berlin: Galerie Michael Haas, 1995.

Margo Leavin Gallery: 25 Years. Los Angeles: Margo Leavin Gallery, 1995.

Message 1995: Masterpieces of Modern Art from the Detroit Institute of Arts (text in English and Japanese). Toyota, Japan: Toyota Municipal Museum of Art, 1995.

1945: The End of the War (text in English, German, and French). Prefaces by Annely Juda, Jean Lacouture, and Denise René; introduction by Peter Ustinov. London: Annely Juda Fine Art, 1995.

La tradición de lo nuevo: obras maestras contemporáneas en la Colección Guggenheim, 1945–1990 (text in Spanish). Bilbao, Spain: Consorcio del Proyecto Guggenheim Bilbao, 1995.

Fuchs, Rudi, and Adam D. Weinberg. Views from Abroad: European Perspectives on American Art 1/Amerikaanse Perspectieven: Europese Visies op Amerikaanse Kunst 1 (text in English and Dutch). Essay by Hayden Herrera. New York: Whitney Museum of American Art, distributed by Harry N. Abrams, 1995.

Polcari, Stephen. From Omaha to Abstract Expressionism: American Artists Respond to World War II. New York: Sidney Mishkin Gallery, Baruch College, 1995.

1996

Color Field: The Classic Years, 1960–1975. Essay by Karen Wilkin. New York: André Emmerich Gallery/Sotheby’s, 1996 [exh. brochure].

Passionate Pursuits: Hidden Treasures of the Garden State. Montclair, NJ: Montclair Art Museum, 1996 [exh. brochure].

Pintura estadounidense, expresionismo abstracto (text in Spanish). Mexico City: Centro Cultural/Arte Contemporáneo; Fundación Cultural Televisa, A.C., 1996.

Carr, Carolyn Kinder, and Steven Watson. Rebels: Painters and Poets of the 1950s. Washington, DC: National Portrait Gallery, 1996 [exh. brochure].

Franz, Erich, ed. Farben des Lichts: Paul Signac und der Beginn der Moderne von Matisse bis Mondrian (text in German). Ostfildern, Germany: Edition Tertium, 1996.

Friedland, Marianne. American Painting: From Realism to Abstraction. Naples, FL: Philharmonic Center for the Arts, 1996 [exh. brochure].

Makino, Kenichiro, and Hirotoshi Furuta, eds. Abstract Expressionism (text in Japanese and English). Essay by Irving Sandler. Nagoya, Japan: Aichi Prefectural Museum of Art, 1996.

Rosenthal, Mark. The Robert and Jane Meyerhoff Collection: 1945 to 1995 (includes artist’s statements). Contributions by David Anfam, Harry Cooper, Molly Donovan, Ruth E. Fine, Marla Prather, Charles Ritchie, and Jeffrey Weiss. Washington, DC: National Gallery of Art, 1996.

Shapiro, Michael E., ed. Rings: Five Passions in World Art (includes artist’s statements). Entry “Hans Hofmann” by Carrie Przybilla, pp. 276–77. New York: Harry N. Abrams, in association with the High Museum of Art, Atlanta, GA, 1996.

Schwartz, Constance, and Franklin Hill Perrell. American Vanguards. Roslyn Harbor, NY: Nassau County Museum of Art, 1996.

1997

American Works, 1945–1975. New York: C&M Arts, 1997.

The Geometric Tradition in American Art. Essay by Chris Bruce. Seattle, WA: Meyerson & Nowinski Art Associates, 1997. Published in conjunction with the exhibition organized by Meyerson & Nowinski Art Associates in 1996.

In Celebration: Works of Art from the Collections of Princeton Alumni and Friends of the Art Museum, Princeton University. Princeton, NJ: Princeton University Art Museum, 1997.

South Carolina Collects Watercolors. Columbia: South Carolina State Museum, 1997.

Bandini, Mirella, ed. Tapié: un art autre; Torino, Parigi, New York, Osaka (text in Italian and French). Turin, Italy: Edizioni d’Arte Fratelli Pozzo, 1997.

Costa, Xavier, and Hartray, Guido, eds. Sert: arquitecto en Nueva York (text in English and Spanish). Barcelona: Museu d’Art Contemporani de Barcelona, 1997.

Franz, Erich, ed. Signac et la libération de la couleur: de Matisse à Mondrian (text in French). Paris: Éditions de la Réunion des musées nationaux, 1997. Published in conjunction with the exhibition organized by Westfälisches Landesmuseum für Kunst und Kulturgeschichte in 1996.

Matilsky, Barbara. Circles of Divinity: Cross-Cultural Connections. Chapel Hill: Ackland Art Museum, The University of North Carolina at Chapel Hill, 1997 [exh. brochure].

1998

Painting in Provincetown: Milton Avery, Hans Hofmann, Jack Tworkov. Essay by Robert Hobbs. New York: André Emmerich Gallery, 1998 [exh. brochure].

Summer Exhibition. London: Crane Kalman Gallery, 1998 [exh. brochure].

A Theater of Art II. Santa Fe, NM: Riva Yares Gallery, 1998 [exh. brochure].

Blistène, Bernard, and Lisa Dennison. Rendezvous: Masterpieces from the Centre Georges Pompidou and the Guggenheim Museums. Essays by Yve-Alain Bois, Stanley Cavell, Jean-Louis Cohen, and Mark C. Taylor. New York: Guggenheim Museum Publications, 1998.

Jeffett, William, ed. Surrealism in America during the 1930s and 1940s: Selections from the Penny and Elton Yasuna Collection. Essays by Martica Sawin and William Jeffett. St. Petersburg, FL: Salvador Dalí Museum, 1998.

Rachum, Stephanie, ed. The Joy of Color: The Merzbacher Collection (includes artist’s statements). Catalogue entries on Hofmann by Irving Sandler, pp. 308–13. Cologne: DuMont Buchverlag; Jerusalem: The Israel Museum, 1998.

Schröder, Klaus Albrecht, ed. Das Auge des Sammlers: Monet bis Picasso (text in German). Vienna: Kunstforum Wien, 1998.

Shore, Virginia. Works by Contemporary American Artists: Residence of the Ambassador of the United States of America to Austria (includes artist’s statements). Vienna: United States Information Service, 1998. Published in conjunction with the exhibition organized by ART in Embassies Program in 1997.

1999

Modern Art at Harvard (text in English and Japanese; includes artist’s statements). [Tokyo]: Nihon Keizai Shimbun, 1999.

Surrealistas en el exilio y los inicios de la Escuela de Nueva York (text Spanish and English). Madrid: Ministerio de Educación y Cultura, 1999.

Anna, Susanne, ed. Die Informellen—von Pollock bis Schumacher (text in German, English, and French). Contributions by Georg-W. Költzsch, Michael Leja, Jeremy Lewison, Roberto Pasini, Christian Schlatter. Ostfildern-Ruit, Germany: Hatje Cantz Verlag, 1999. Published in conjunction with the exhibition organized by Städtisches Museum Leverkusen Schloss Morsbroich in 1998.

Griswold, William M. New York Collects: Drawings and Watercolors 1900–1950. Essays by Jack Flam and Carol Selle. New York: The Morgan Library & Museum, 1999.

Hilaire, Michel, and Éric de Chassey. Abstractions américaines, 1940–1960 (text in French). Paris: Éditions de la Réunion des musées nationaux; Montpellier, France: Musée Fabre, 1999.

Liese, Jennifer. Forum 49 Revisited (includes artist’s statements). Provincetown, MA: Provincetown Art Association and Museum, 1999 [exh. brochure].

Messer, Thomas M. Between Art and Life: Vom Abstrakten Expressonismus zur Pop Art (text in German and English). Essay by Irving Sandler. Frankfurt: Schirn Kunsthalle, 1999.

Messer, Thomas M. Made in USA, 1940–1970: Between Art and Life; de l’Expressionisme Abstracte al Pop (text in Spanish, Catalan, and English). Essay by Irving Sandler. Barcelona: Centre Cultural de la Fundació la Caixa, 1999.

Netta, Irene, ed. Das Gedächtnis öffnet seine Tore: Die Kunst der Gegenwart im Lenbachhaus München (text in German; includes artist’s statements). Entry “Hans Hofmann” by I[rene] N[etta], p. 98. Ostfildern-Ruit, Germany: Hatje Cantz Verlag; Munich: Städtische Galerie im Lenbachhaus, 1999.

Rosenfeld, Michael. Linear Impulse. New York: Michael Rosenfeld Gallery, 1999.

Schwartz, Constance, and Franklin Hill Perrell. Contemporary American Masters: The 1960s. Roslyn Harbor, NY: Nassau County Museum of Art, 1999.

2000

Ambassador and Mrs. Thomas S. Foley Present Artists in the Residence (text in English and Japanese). Washington, DC: ART in Embassies Program; Tokyo: United States Embassy, 2000. Published in conjunction with the exhibition organized by ART in Embassies Program in 1998.

American Masters: A Special Exhibition to Celebrate Our 10th Anniversary in Naples. Naples, FL: Marianne Friedland Gallery, 2000 [exh. brochure].

Art for the Nation: Collecting for a New Century (includes artist’s statements). Entry “Hans Hofmann” by Jeffrey Weiss, p. 112. Washington, DC: National Gallery of Art, 2000.

“Land of the Free, Home of the Brave”: Artist Immigrants in America in the Twentieth Century. Preface by Bryan Robertson. London: Crane Kalman Gallery, 2000.

League Masters Then: Works in the Exhibition. New York: Art Students League of New York, 2000 [exh. brochure].

Summer at the Shore: The Artist Colonies at Easthampton, Gloucester and Provincetown. New York: Palitz Gallery at Syracuse University Lubin House, 2000.

Binstock, Jonathan P., and Kathleen A. Foster. American Watercolors at the Pennsylvania Academy of the Fine Arts. Philadelphia: Pennsylvania Academy of the Fine Arts, 2000.

Carmean, E.A., Jr. Pasted Pictures: Collage and Abstraction in the 20th Century. New York: Knoedler & Co., 2000.

Garrels, Gary, ed. Celebrating Modern Art: The Anderson Collection. Berkeley, CA: University of California Press, 2000.

Hall-Duncan, Nancy, and Irving Sandler. The American Avant-Garde: A Decade of Change, 1936–1946. Greenwich, CT: Bruce Museum, 2000.

Howard, Rhonda Lane. Shifting Ground: Transformed Views of the American Landscape. Seattle: Henry Art Gallery, University of Washington, 2000.

Omlin, Sibylle, and Beat Wismer, eds. Das Gedächtnis der Malerei: Ein Lesebuch zur Malerei im 20. Jahrhundert (text in German). Cologne: Buchandlung Walther König; Aarau, Switzerland: Aargauer Kunsthaus, 2000.

Rockefeller, David, Robert Rosenblum, and Manuel E. González. Art at Work: Forty Years of the Chase Manhattan Collection. New York: The Chase Manhattan Corporation, 2000.

Sandler, Irving, and DeCourcy E. McIntosh. The Collector as Patron in the Twentieth Century. New York: Knoedler & Co., 2000.

Waldman, Diane. 1950s: The New York School. New York: Joseph Helman Gallery, 2000.

Wolbert, Klaus, ed. Conrad Marca-Relli: Works 1945–1996 (text in German and English; includes artist’s statements). Darmstadt, Germany: Institut Mathildenhöhe Darmstadt, 2000.

2001

L’Espressionismo: presenza della pittura in Germania, 1900–2000 (text in Italian). Milan: Electa, 2001.

Living with Art. New York: Ameringer Howard Yohe, 2001 [exh. brochure].

Past Present Future: Notions of Time in Twentieth-Century Art. Austin: Blanton Museum of Art, The University of Texas at Austin, 2001.

Space, Abstraction and Freedom: Twentieth-Century Art from the Collection of Mary and Jim Patton (includes artist’s statements). Chapel Hill: Ackland Art Museum, The University of North Carolina at Chapel Hill, 2001.

Acton, David. The Stamp of Impulse: Abstract Expressionist Prints. New York: Hudson Hills Press, 2001.

Franciolli, Marco, and Lorenza Trucchi. Da Kandinsky a Pollock: la vertigine della non-forms (From Kandinsky to Pollock: the Vertigo of Non-Form). Lugano, Switzerland: Museo Cantonale d'Arte, 2001.

Groys, Boris, and Petra Kipphoff. Onnasch: Aspects of Contemporary Art/Aspectos da Arte Contemporânea (text in English and Portuguese; includes artist’s statements). Barcelona: Museu d’Art Contemporani de Barcelona, 2001.

Ketner, Joseph D., and Sam Hunter. A Defining Generation: Then and Now, 1961 and 2001. Waltham, MA: The Rose Art Museum, Brandeis University, 2001.

Mathews, Nancy Mowll, ed. American Dreams: American Art to 1950 in the Williams College Museum of Art (includes artist’s statements). New York: Hudson Hills Press, 2001.

McClintic, Miranda. Modernism & Abstraction: Treasures from the Smithsonian American Art Museum. Foreword by Elizabeth Brown. New York: Watson-Guptill Publications, in association with Smithsonian American Art Museum, Washington, DC, 2001. Published in conjunction with the exhibition organized by Smithsonian American Art Museum in 2000.

Sagner-Düchting, Karin, ed. Monet and Modernism. Contributions by Gottfried Boehm, Hajo Düchting, Ann Gibson, Claudia Posca, and Karin Sagner-Düchting. Munich: Prestel-Verlag, 2001.

Schwartz, Constance, and Franklin Hill Perrell. Twentieth Century Exiles: Artists Fleeing Hitler’s Oppression. Roslyn Harbor, NY: Nassau County Museum of Art, 2001.

Skold, Stacy. The New York School and Beyond: Paintings from the Art Enterprises Collection. Chicago: AEL Space, 2001 [exh. brochure].

Wilkin, Karen, and Bruce Guenther. Clement Greenberg: A Critic's Collection. Portland, OR: Portland Art Museum, 2001.

2002

British, European and American Art: A Surprising and Idiosyncratic Selection. London: Crane Kalman Gallery, 2002 [exh. brochure].

Pollock’s America: Jackson Pollock in Venice; The “Irascibles” and the New York School. Essays by Giandomenico Romanelli, Bruno Alfieri, Philip Rylands, Achille Bonito Oliva, Sam Hunter, Ellen G. Landau, Kirk Varnedoe, William S. Lieberman, and Fernanda Pivano. Milan: Skira, 2002.

Auping, Michael, ed. Modern Art Museum of Fort Worth 110 (includes artist’s statements). Foreword by Marla Price; commentaries by Michael Auping, Andrea Karnes, and Mark Thistlethwaite. Entry “Hans Hofmann,” by Mark Thistlethwaite, pp. 246–47. Fort Worth, TX: Modern Art Museum of Fort Worth; London: Third Millenium Publishing, 2002.

Boyle, Richard J., Hilton Brown, and Richard Newman. Milk and Eggs: The American Revival of Tempera Painting, 1930–1950 (includes artist’s statements). Chadds Ford, PA: Brandywine River Museum, in association with the Washington University Press, 2002.

Green, Nancy, Andrea Inselmann, Frank Robinson, and Andrew Weislogel. The David M. Solinger Collection: Masterworks of Twentieth-Century Art (includes artist’s statements). Essays by Betty Ann Besch Solinger and Robert Rosenblum. Entry “Hans Hofmann” by A[ndrea] I[nselmann], pp. 72–77. Ithaca, NY: Herbert F. Johnson Museum of Art, Cornell University, 2002.

McShine, Kynaston, and Anne Umland, eds. To Be Looked at: Painting and Sculpture from The Museum of Modern Art, New York. New York: The Museum of Modern Art, 2002.

Miller, Dana, Marla Prather, and Lawrence R. Rinder. New York Renaissance: From the Whitney Museum of American Art (includes artist’s statements). Essay by Maxwell L. Anderson. Milan: Electa, 2002.

2003

El Expresionismo abstracto americano en las colecciones españolas (text in Spanish). Segovia, Spain: Museo de Arte Contemporáneo Esteban Vicente, 2003.

From Picasso to Pollock: Modern Art from the Guggenheim Museum. New York: Guggenheim Museum Publications, 2003.

Modern Art in Florida, 1948–1970: A Climate for Contemporary Tampa Bay. Tampa Bay, FL: Tampa Museum of Art, 2003.

Bullaudy, Vivian. From Hawthorne to Hofmann: Provincetown Vignettes, 1899–1945 (includes artist’s statements). Essays by Richard Boyle, Tina Dickey, Michael Taylor, and Barbara Wolanin; memoir by Katharine Kuh. New York: Hollis Taggart Galleries, 2003.

Drayton, Cynthia, and Nancy Hall-Duncan. JFK and Art (includes artist’s statements). Essay by Kenneth E. Silver. Greenwich, CT: Bruce Museum, 2003.

Elderfield, John, ed. Visions of Modern Art: Painting and Sculpture from The Museum of Modern Art. New York: The Museum of Modern Art, 2003. Published in conjunction with the exhibition The Heroic Century: The Museum of Modern Art Masterpieces, 200 Paintings and Sculptures.

Hall-Duncan, Nancy. Pleasures of Collecting: Part II, Twentieth Century and Contemporary Art. Greenwich, CT: Bruce Museum, 2003.

Heller, Reinhold. Confronting Identities in German Art: Myths, Reactions, Reflections. Chicago: David and Alfred Smart Museum of Art, University of Chicago, 2003. Published in conjunction with the exhibition organized by David and Alfred Smart Museum of Art in 2002.

O’Toole, Erin. Pairings: Discovered Dialogues in Postwar Abstraction. San Francisco: Hackett-Freedman Gallery, 2003.

2004

The Lane Collection and American Modernism: Georgia O’Keeffe and Her Times (text in Japanese and English). Nagoya, Japan: Nagoya/Boston Museum of Fine Arts, 2004.

On Paper: Masterworks from the Addison Collection. Text by Faye Hirsch et al. Andover, MA: Addison Gallery of American Art, Phillips Academy, 2004.

Reuniting an Era: Abstract Expressionists of the 1950s. Introduction by Thomas McCormick; essay by Gerald Nordland. Rockford, IL: Rockford Art Museum, 2004.

20th Century Selections: Modernist and Post-war Paintings. New York: Hollis Taggart Galleries, 2004.

Arroyo, Marta, and Maita Cañamás. Informalismos en la colección del IVAM (text in Spanish). Pamplona, Spain: Ayuntamiento de Pamplona, 2004.

Bridges, Robert, and Kristina Olsen. Blanche Lazzell: The Hofmann Drawings. Morgantown: West Virginia University, 2004.

Elderfield, John, ed. Das MoMA in Berlin: Meisterwerke aus dem Museum of Modern Art, New York (text in German). Ostfildern-Ruit, Germany: Hatje Cantz Verlag; New York: The Museum of Modern Art, 2004. Published in conjunction with the exhibition organized by The Museum of Modern Art in 2003.

Fehr, Michael, and Sanford Wurmfeld, eds. Seeing Red: On Nonobjective Painting and Color Theory (includes artist’s statements). Essays by Tracy L. Adler, Frederick A. Horowitz, Tina Dickey, Sanford Wurmfeld, William C. Agee, Gabriele Evertz, John Gage, Georges Roque, Michael Fehr, Klaus Honnef, James Gordon, and Robert Swain. Cologne: Salon Verlag, 2004. Published in conjunction with the exhibition organized by Hunter College Art Galleries in 2003.

Foster, Stephen C., ed. La odisea americana, 1945–1980: el debate de la modernidad/An American Odyssey, 1945–1980: Debating Modernism (text in Spanish and English). Madrid: Círculo de Bellas Artes, 2004.

Kearney, Fiona, ed. Modern American Painting from the NYU Art Collection. Essays by James Elkins, Kent Minturn, and Lynn Gumpert. Cork, Ireland: Lewis Glucksman Gallery, University College Cork, 2004.

Kinghorn, George, Debra Murphy Livingston, and Kahren Jones Arbitman. Image + Energy: Selections from the Haskell Collection (includes artist’s statements). Jacksonville, FL: Jacksonville Museum of Modern Art, 2004.

Marzio, Peter C. A Spirited Vision: Highlights of the Bequest of Caroline Wiess Law. Houston: The Museum of Fine Arts, Houston, 2004.

Rosenthal, Mark, Luca Massimo Barbero, Marco Vallora, and Leigh Robb. Action Painting: arte americana 1940–1970, dal disegno all’opera (text in Italian and English; includes artist’s statements). New York: Solomon R. Guggenheim Foundation, 2004.

Saure, Gabriele. Carl Heidenreich (text in English and German; includes artist’s statements). Introduction by Peter Selz. New York: Goethe-Institut, 2004. Published in conjunction with the exhibition organized by University of California, Berkeley Art Museum and Pacific film Archive.

2005

Artwork from the Collection of William Freed and Lillian Orlowsky. Boston: Acme Fine Art, 2005.

Boca Raton Collects: A Visual Feast of Promised Gifts and Bequests; Selections from the Dani and Jack Sonnenblick Collection and the Isadore Friedman Collection. Boca Raton, FL: Boca Raton Museum of Art, 2005.

Celebrating 25 Years. New York: Hollis Taggart Galleries, 2005.

Hans Hofmann: The Legacy (includes artist’s statements). Essay by Geoffrey Dorfman. New York: The Painting Center, 2005.

Ashton, Dore, and Gilbert Perlein. École de New York: Expressionisme abstrait américain. Nice, France: Musée d'Art moderne et d'art contemporain, 2005.

Grachos, Louis, and Claire Schneider. Extreme Abstraction: An Exhibition. Buffalo, NY: Albright-Knox Art Gallery, 2005.

McFadden, David Revere, Russell Panczenko, Ursula Ilse-Neuman, and Jennifer Scanlan. Dual Vision: The Simona and Jerome Chazen Collection. New York: Museum of Arts and Design, 2005.

Miller, Dana A., Junji Ito, and Hitoshi Yamamura. Picturing America: Selections from the Whitney Museum of American Art (text in Japanese and English; includes artist’s statements). Foreword by Adam D. Weinberg. New York: Whitney Museum of American Art; Tokyo: Howaito Intanashonaru, 2005.

Monahan, Anne. The Luther W. Brady Colelction at the Picker Art Gallery, Colgate University. Hamilton, NY: Picker Art Gallery, Colgate University, 2005.

Sajet, Kim, ed. In Private Hands: 200 Years of American Painting. Contributions by Lynn Marsden-Atlass, Nicolai Cikovsky Jr., and Robert Rosenblum. Philadelphia: Pennsylvania Academy of the Fine Arts, 2005.

Salow, David. Pairings II: Discovered Dialogues in Postwar Abstraction. San Francisco: Hackett-Freedman Gallery, 2005.

2006

Big Juicy Paintings (and More): Highlights from the Permanent Collection. Miami, FL: Miami Art Museum, 2006 [exh. brochure].

Feast of Color: The Merzbacher-Mayer Collection. Cologne: DuMont Buchverlag; Zurich: Kunsthaus Zürich, 2006.

Masterpieces from the Collection of the Ishibashi Foundation (text in Japanese and English). Tokyo: Ishibashi Foundation, 2006. Published in conjunction with the exhibition organized by Bridgestone Museum of Art.

The Odyssey Continues: Masterworks from the New Orleans Museum of Art and from Private New Orleans Collections; Exhibition Held for the Benefit of the New Orleans Museum of Art’s Katrina Recovery Fund. New York: Wildenstein, 2006.

Agee, William C., and Susan C. Faxon. Coming of Age: American Art, 1850s to 1950s (includes artist’s statements). New York: American Federation of Arts, in association with Yale University Press, New Haven and London, 2006.

Bruce, Chris, and Keith Wells. Art & Context: The ’50s and ’60s. Contributions by Nella Van Dyke. Pullman, WA: Museum of Art, Washington State University, 2006.

Caramel, Luciano, ed. Afro & Italia/America: incontri e confronti (text in Italian). Milan: Mazzotta, 2006.

Cartwright, Derrick R., and Bill Brown. Personal Views: Regarding Private Collections in San Diego. Contributions by D. Scott Atkinson, Derrick R. Cartwright, Betti-Sue Hertz, Steven Kern, H. Tiffany Lee, Sonya Rhie Quintanilla. San Diego, CA: The San Diego Museum of Art, 2006.

Celant, Germano, and Lisa Dennison, eds. New York, New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video. Essays by Janet L. Abu-Lhugod, Germano Celant, RoseLee Goldberg, Melissa Harris, Kirstin Hübner, Thierry Jousse, Herbert Muschamp, Mario Perniola, Fernanda Pivano, Robert Rosenblum, Irving Sandler, Nancy Spector, and Bonnie Yochelson. Milan: Skira; Monaco: Grimaldi Forum, 2006.

Fairbrother, Trevor. Painting Summer in New England (includes artist’s statements). Salem, MA: Peabody Essex Museum, in association with Yale University Press, New Haven and London, 2006.

Metzger, Robert P. 9th St.: Nine Artists from the Ninth Street Show. New York: David Findlay Jr. Fine Art, 2006.

Oliver-Smith, Kerry. American Matrix: Contemporary Directions for the Harn Museum Collection. Gainesville: Samuel P. Harn Museum of Art, University of Florida, 2006. Published in conjunction with the exhibition organized by Samuel P. Harn Museum of Art in 2005.

Perl, Jed. A Culture in the Making: New York and San Francisco in the 1950s and ’60s (includes artist’s statements). San Francisco: Hackett-Freedman Gallery, 2006. Published in conjunction with the exhibition organized by Hacket-Freedman Gallery in 2007.

Weber, Bruce. Toward a New American Cubism (includes artist’s statements). New York: Berry-Hill Galleries, 2006.

Weisberger, Edward, ed. The Guggenheim: Die Sammlung (text in German). New York: Solomon R. Guggenheim Foundation; Ostfildern, Germany: Hatje Cantz Verlag, 2006.

2007

Be-Bomb: The Transatlantic War of Images and All That Jazz, 1946–1956. Essays by Manuel J. Borja-Villel, Serge Guilbaut, Thomas Crow, Clement Greenberg, Charles Estienne, et al. Barcelona: Museu d’Art Contemporani de Barcelona; Madrid: Museo Nacional Centro de Arte Reina Sofia, 2007.

The Twentieth Century: How It Looked & How It Felt; DLA Piper Series. Liverpool: Tate Liverpool, 2007.

Small Works Selected from the Museum Collection. Provincetown, MA: Provincetown Art Association and Museum, 2007 [exh. brochure].

A Summer Selection. London: Crane Kalman Gallery, 2007.

Kamien-Kazhdan, Adina. Surrealism and Beyond in the Israel Museum. Essays by Dawn Ades and Werner Spies. Jerusalem: The Israel Museum, 2007.

Landau, Ellen G., and Claude Cernuschi, eds. Pollock Matters (includes artist’s statements). Chestnut Hill, MA: McMullen Museum of Art, Boston College, 2007.

Pegoraro, Silvia. Nel segno della materia: pittura informale europea e americana (text in Italian and English). Milan: Mazzotta, 2007.

Schröder, Klaus Albrecht, ed. Monet bis Picasso: Die Sammlung Batliner (text in German). Vienna: Albertina Museum; Petersburg, Germany: Michael Imhof Verlag, 2007.

Tinterow, Gary, Lisa Mintz Messinger, and Nan Rosenthal, eds. Abstract Expressionism and Other Modern Works: The Muriel Kallis Steinberg Newman Collection in The Metropolitan Museum of Art (includes artist’s statements). Entry “Hans Hofmann” by David Anfam, pp. 181–82. New York: The Metropolitan Museum of Art; New Haven: Yale University Press, 2007.

Wechsler, Jeffrey. Pathways and Parallels: Roads to Abstract Expressionism. New York: Hollis Taggart Galleries, 2007.

Wilkin, Karen. Color as Field: American Painting, 1950–1975. Essay by Carl Belz. New York: American Federation of Arts, in association with Yale University Press, New Haven and London, 2007.

2008

Degas to Diebenkorn: The Phillips Collects. Washington, DC: The Phillips Collection, 2008 [exh. brochure].

Paradigms and the Unexpected: Modern and Contemporary Art from the Shey Collection. Essay by Budd Harris Bishop; contributions by Dulce María Román and Kerry Oliver-Smith. Gainesville: Samuel P. Harn Museum of Art, University of Florida, 2008.

Paris—New York: Modern Paintings in 19th and 20th Century [sic]; Masterworks from the Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York (text in English and Japanese). Osaka, Japan: Sankei Shimbun, 2008.

Anfam, David. Abstract Expressionism—A World Elsewhere. Foreword by Harry Blain, Robert Fitzpatrick, and Graham Southern. New York: Haunch of Venison, 2008.

Barbero, Luca Massimo. Peggy Guggenheim e la nuova pittura americana (text in Italian and English; includes artist’s statements). Florence, Italy: Giunti, 2008.

Casabán, Consuelo Císcar, Dore Ashton, and Xavier Antich. La abstracción en la colección del IVAM (text in Spanish and English). Valencia, Spain: IVAM, Institut Valencià d’Art Modern, 2008.

Chassey, Éric de, and Sylvie Ramond, eds. 1945–1949. Repartir à zéro, comme si la peinture n’avait jamais existé (text in French). Paris: Éditions Hazan; Lyon, France: Musée des Beaux-Arts de Lyon, 2008.

Kinghorn, George. Contemporary Visions: A Focus on Jacksonville Collections. Jacksonville, FL: Museum of Contemporary Art Jacksonville, 2008 [exh. brochure].

Kleeblatt, Norman L., ed. Action/Abstraction: Pollock, de Kooning, and American Art, 1940–1976 (includes artist’s statements). New York: Jewish Museum, in association with Yale University Press, New Haven, CT, 2008.

Küster, Ulf, Gottfied Boehm, Robert Fleck, Pepe Karmel, and Jason Edward Kaufman. Action Painting. Ostfildern, Germany: Hatje Cantz Verlag; Basel, Switzerland: Beyeler Museum AG, 2008.

Mecklenberg, Virginia. Modern Masters: American Abstraction at Midcentury. Contributions by Tiffany D. Farrell. Washington, DC: Smithsonian American Art Museum, in association with D. Giles, London, 2008.

Norio, Shimada, Ishibashi Hiroshi, Osaki Shinichiro, and Yamamoto Susumu. New Horizons: The Collection of the Ishibashi Foundation (text in Japanese and English). Tokyo: Bridgestone Museum of Art, 2008.

2009

Abstract Expressionism: Further Evidence; Painting and Sculpture (includes artist’s statements). New York: Michael Rosenfeld Gallery, 2009.

Classic Contemporary: Lichtenstein, Warhol and Friends. San Diego, CA: Museum of Contemporary Art San Diego, 2009.

Search for the Real: Drawings by Hans Hofmann and Students. Provincetown, MA: Provincetown Art Association and Museum, 2009.

Cooper, Harry. The Robert and Jane Meyerhoff Collection: Selected Works. Washington, DC: National Gallery of Art, in association with Lund Humphries, 2009.

Perrell, Franklyn Hill. Long Island Collects. Introduction by Constance Schwartz. Roslyn Harbor, NY: Nassau County Museum of Art, 2009.

Schram, Hrafnhildur. Frá Unuhúsi til Áttunda straetis/From Unuhús to West 8th Street (text in Icelandic and English; includes artist’s statements). Reykjavik, Iceland: Reykjavik Art Museum, 2009 [exh. brochure].

2010

Das Geistige in der Kunst: Vom Blauen Reiter zum Abstrakten Expressionismus (text in German). Wiesbaden, Germany: Museum Wiesbaden, 2010.

Alarcó, Paloma, Michel Draguet, and Thierry Dufrêne. Monet et l’abstraction/Monet and Abstraction (text in French and English). Paris: Éditions Hazan and Musée Marmottan Monet, 2010. Published in conjunction with the exhibition organized by Museo Thyssen-Bornemisza in 2010.

Alarcó, Paloma. Monet y la abstracción (text in Spanish and English; includes artist’s statements). Madrid: Museo Thyssen-Bornemisza; Fundación Caja Madrid, 2010.

Armstrong, Richard. Color Fields (text in English and German). Essays by David Anfam and Clement Greenberg. New York: Guggenheim Museum Publications, 2010.

Heymer, Kay, Susanne Rennert, and Beat Wismer, eds. Le Grand Geste! Informel und Abstrakter Expressionismus, 1946–1964 (text in German). Cologne: DuMont Buchverlag, 2010.

Kornhauser, Elizabeth Mankin, ed. American Moderns: Masterworks from the Wadsworth Atheneum Museum of Art. Essays by Elizabeth Mankin Kornhauser, Erin Monroe, and Carol Troyen. New Haven, CT: Yale University Press; in association with the Wadsworth Atheneum Museum of Art, Hartford, CT, 2010.

Perl, Jed. Hofmann, Krasner, Pollock: Neighbors in a Great Experiment. New York: Ameringer | McEnery | Yohe, 2010 [exh. brochure].

Temkin, Anne. Abstract Expressionism at The Museum of Modern Art: Selections from the Collection. New York: The Museum of Modern Art, 2010.

2011

Highlights from the Ernestine and Bradley Wayne Collection. New York: Greenberg Van Doren Gallery, 2011.

Portland Collects: Riches of a City. Portland, OR: Portland Art Museum, 2011.

Mannerism and Modernism: The Kasper Collection of Drawings and Photographs. Foreword by William M. Griswold; preface by Herbert Kasper; catalogue by Jordan Bear et al. New York: The Morgan Library & Museum, 2011.

McCarthy, Christine. Selections from the PAAM Collection. Provincetown, MA: Provincetown Art Association and Museum, 2011 [exh. brochure].

Nisbet, Peter. Carolina Collects: 150 Years of Modern and Contemporary Art from Alumni Collections. Chapel Hill: Ackland Art Museum, The University of North Carolina at Chapel Hill, 2011.

Noelle, Alexander J. The Tides of Provincetown: Pivotal Years in America’s Oldest Continuous Art Colony (1899–2011) (includes artist’s statements). Contributions by James R. Bakker, Christine M. McCarthy, Robert Bridges, Josephine C. Del Deo, Deborah Forman, Elizabeth Ives Hunter, Julie Heller, and Whitney Smith. New Britain, CT: New Britain Museum of American Art, 2011.

2012

Bashkoff, Tracey, Megan Fontanella, and Joan Marter. Art of Another Kind: International Abstraction and the Guggenheim, 1949–1960 (includes artist’s statements). New York: Guggenheim Museum Publications, 2012.

Galpin, Amy, ed. Behold, America! Art of the United States from Three San Diego Museums (includes artist’s statements). San Diego, CA: The San Diego Museum of Art; New York: D.A.P./Distributed Art Publishers, 2012.

2013

Art across America (text in English and Korean; includes artist’s statements). Entry “Hans Hofmann” by S[arah] S[chultz], pp. 340–41. Seoul, South Korea: National Museum of Korea, 2013.

2014

When Modern Was Contemporary: The Roy R. Neuberger Collection. Introduction by Tracy Fitzpatrick; essays by Nicole Bass et al. Purchase: Neuberg Museum of Art, State University of New York at Purchase; in association with the American Federation of Arts, 2014.

Baum, Kelly. Rothko to Richter: Mark-Making in Abstract Painting from the Collection of Preston H. Haskell. With contributions by Hal Foster, Susan Stewart, and Eleanor Stoltzfus. Princeton, NJ: Princeton University Art Museum; distributed by Yale University Press, New Haven and London, 2014.

Mattison, Robert Saltonstall. Why Nature? Hofmann, Mitchell, Pousette-Dart, Stamos. New York: Hollis Taggart Galleries, 2014.

2015

Samira, Raz, ed. Tel Aviv Museum Visits Berlin: Kunst der Moderne und Gegenwart. Munch, Lond, New York: Prestel Verlag, 2015.